Using only their voices, no autotune, synthesizers or computerized effects, Black Sea Hotel’s four singers – Joy Radish, Willa Roberts, Sarah Small and Corinna Snyder – have created the most haunting and beautiful cd of the year so far. Black Sea Hotel are Brooklyn’s own Bulgarian vocal choir, taking both ancient and more modern Bulgarian folk music to a lot of very otherworldly places. It would be easy to say that since they play most of their shows at rock clubs, they’re sort of the punk rock version of le Mystere Des Voix Bulgares, but that wouldn’t be giving them enough credit. Not only are the group extraordinary singers, they’re also arrangers. As the four members revealed in an enlightening interview here recently, they’re doing new things with an impressive repertoire of haunting old songs, paring down large-scale pieces for just their four voices, embellishing works for solo voice as well as folksongs typically played with instrumentation. The result ranges from chilling or hypnotic to downright psychedelic, gorgeous washes of sound panning across the spectrum, moving in and out of the mix, from one harmony to another in places. Sometimes all four voices harmonize. Sometimes they work in pairs, or a single voice against two or three in counterpoint. Between them, they cover the sonic spectrum from contralto to high soprano with an astonishing ability to go from the lowest to highest registers and vice versa in a split second, using Balkan and Middle Eastern scales, eerie microtones, magically precise melismas or sometimes just a pure, crystalline, fullscale wail. But rather than always going for the jugular with the wild whoops and embellishments for which le Mystere Des Voix Bulgares are best known, they choose theirs spots judiciously, saving the most elaborate and ostentatious ornamentation for when they really need it.
The cd mixes sixteen songs in both Bulgarian and Macedonian from literally across the centuries. There’s a polyrhythmic dance; a mysterious number about witchcraft with a quite operatic bridge; a dirge about a girl swept away in the river; a Middle Eastern-inflected cautionary tale; the sad story of a drunken pasha; a wistful, Celtic-tinged waltz; the suspenseful account of a singing competition between a young girl and nightingale; and an insistent taunt that with all four voices going full steam becomes practically a sonic lynching. If this album doesn’t end up making the top ten in our Best Albums of the Year list at the end of December, 2009 will have been the best year for music in recorded history. Not bad for a quartet of American women who probably never heard a word of Bulgarian until they were in their teens. Black Sea Hotel play the cd release show at Union Pool at 9 on June 4 on an excellent bill with Sxip Shirey, Veveritse and Stumblebum Brass Band.
June 3, 2009
Posted by delarue |
Music, music, concert, review, Reviews | a cappella, a cappella music, avante garde music, balkan band, balkan music, Black Sea Hotel, black sea hotel choir, bulgarian choir, bulgarian music, Bulgarian vocal choir, bulgarian voices, choir, choral music, Corinna Snyder, folk music, gypsy band, gypsy music, Joy Radish, le mystere des voix bulgares, macedonian music, Sarah Small, Stumblebum Brass Band, Sxip Shirey, Veveritse Brass Band, vocal music, Willa Roberts, world music |
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We do this every week. You’ll see this week’s #1 song on our Best 100 songs of 2009 list at the end of December, along with maybe some of the rest of these too. This is strictly for fun – it’s Lucid Culture’s tribute to Kasey Kasem and a way to spread the word about some of the great music out there that’s too edgy for the corporate media and their imitators in the blogosphere. Every link here will take you to each individual song.
1. The Jazz Funeral – Goodnight (Is How I Say Goodbye)
Gentrification and greed as metaphor for the end of a relationship in this fiery janglerock masterpiece – the political as very personal. They’re at Ace of Clubs on 6/6 at 8.
2. Edison Woods – Praises & Scrutiny
The latest single from the forthcoming Wishbook Singles cd by the world’s best 6/8 band, lush and haunting as usual
3. Tessa Souter – You Don’t Have to Believe
Dark jazz siren with eerie Middle Eastern and flamenco tinges. She’s at 55 Bar at 6 on 6/12.
4. Marni Rice – Priere
Noir accordionist/chanteuse. Haunting, with a string quartet. She’s at Small Beast at the Delancey on 6/25 around 10.
5. Black Sea Hotel – Dimjaninka
Haunting hypnotic Bulgarian folk tune arranged for four voices by Brooklyn’s own Bulgarian vocal choir. They’re at Union Pool at 9 on 6/4
6. Jo Williamson – Sheepish
Tuneful bittersweet and soulful, like Cat Power without the vocal pretensions.
7. Veveritse Brass Band – Samirov Cocek
Typically blistering Balkan madness. They’re at Union Pool on 6/4
8. Barbara Dennerlein with Emily Remler – Stormy Monday
Scroll down to the middle of the page for this amazing clip from German tv, 1986. Dennerlein – maybe the greatest organist of our time – is her usual amazing self but it’s the late Emily Remler’s offhandedly savage yet obviously opiated solo that makes it.
9. Mattison – Yver
Beautiful electric piano triphop tune, Greta Gertler meets Bee & Flower. They’re at Duck Duck, 161 Montrose btw Graham & Humboldt at 5 PM on 6/7 for Bushwick open studios.
10. The Courtesy Tier – Set Things Right
Blistering, noisy bluespunk from this guitar/drums duo. They’re at the Rockwood on 6/4 and the Delancey on 6/6
June 2, 2009
Posted by delarue |
lists, Lists - Best of 2008 etc., Music, music, concert | accordion music, art-rock, barbara dennerlein, Bee & Flower, Black Sea Hotel, Bulgarian vocal choir, chanteuse, choral music, Courtesy Tier band, Dimjaninka, edison woods, Emily Remler, folk music, Goodnight (Is How I Say Goodbye), greta gertler, jazz, jazz funeral, Jo Williamson, marni rice, mattison, Music, noir music, orchestrated rock, pop music, Praises & Scrutiny, rock music, Samirov Cocek, singer-songwriter, small beast, songwriter, Stormy Monday, Tessa Souter, top ten songs, trip-hop, Veveritse Brass Band, vocal music, You Don't Have to Believe |
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