Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: My Pet Dragon at the Cameo Gallery, Brooklyn NY 2/8/10

My Pet Dragon opened their February residency at the Cameo Gallery with a fiery yet trance-inducing show including a considerable amount of new material. From their first few notes, they went for sweeping, epic grandeur, part 90s British anthem band, part shoegaze and whichever way they turned, completely psychedelic. Frontman/guitarist Todd Michaelsen’s voice functions as an instrument in the band rather than a distinct lead vocal over instrumentation. He’s got a range that would make Thom Yorke jealous, and uses the entirety of that range with an unselfconscious intensity. Harmony vocalist/dancer Reena Shah would judiciously pick her spots to echo or play off Michaelsen’s soaring wail when she wasn’t moving around her corner of the stage with a grace that was as trance-inducing as the music. Lead guitarist Anthony Rizzo layered precise, reverberating raindrops of melody when he wasn’t making a sonic Jackson Pollock behind the atmospheric washes and roars of Michaelsen’s guitar. Several of the songs would riff off a hypnotic two-chord vamp until the chorus would sail in, bright and catchy, sweeping the clouds away.

They opened with an insistent, creepy, Radiohead-inflected new one, Michaelsen running the lyric “with a minute to go,” over and over, mantra-like. There’s a remarkable social awareness to their lyrics, which really came to the forefront on New Nation, a hopeful post-apocalyptic duet between Michaelsen and Shah. Another new one, Yellow Brick Road was a study in unease, Rizzo bringing just a hint of a bluesy tinge to the pensiveness underlying the song’s sturdy, anthemic theme. A couple of other recent tunes swung and swayed, buoyed by bassist Mario Padron, taking advantage of the opportunity to emerge from his usual insistent pulse with some potently incisive runs up the scale as the verses would turn around. Another more recent one added subtle shades and shadows to a four-chord hook that wouldn’t be out of place in the Brian Jonestown Massacre catalog. Their last song – one of three brand-new ones they debuted tonight – became a mesmerizing, swirling echo chamber with the two guitars roaring full blast, the two singers rising wordlessly out of the morass, part exaltation and part scream.

The opening band were like a good ipod mix of b-sides – they have excellent taste. The end of their set included a Nashville gothic ballad, a ska-rock number like early No Doubt but with an edge, a song that sounded like Wire and another like Blur (or like bands who’ve ripped off those two groups, whose sound these guys were now recycling). My Pet Dragon are back here on the 15th and then the 27th at 10.

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February 9, 2010 Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments