Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 7/15/11

Every day, our 1000 best albums of all time countdown continues all the way to #1. Friday’s album is #564:

Canibus – Mic Club: The Curriculum

A rare example of a lyricist who more than lived up to the extreme hype surrounding his 1998 debut, Canibus represents the pinnacle of East Coast hardcore hip-hop wordsmithing: he’s never made a bad album. This 2002 underground classic is where he really took his game to the next level: erudite, serious as hell but also funny as hell with the mot juste when he wants to skewer someone. He’s so articulate here that he doesn’t even feel the need to use any curse words until track six. The rhymes come fast and furious with Poet Laureate; Masters Thesis; the scathing Behind Enemy Rhymes; Allied Meta-Forces, with a typically potent Kool G Rap cameo; Cenoir Studies 02; C Section; Literal Arts (featuring heavy-hitting Philly artist Jedi Mind Tricks) and Curriculum 101. As much as hip-hop has always been more about the lyrics than the backing tracks, the samples here are especially imaginative (when’s the last time you heard somebody sample Pink Floyd’s Summer ’68?). Here’s a random torrent.

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July 15, 2011 Posted by | lists, Music, music, concert, rap music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Concert Review from the Archives: Canibus at Tramps, NYC 9/17/98

Got there on time, about quarter after nine. By the time I got inside (mega frisking – no great surprise, after all: this was a hip-hop show), McGruff was finishing up. He didn’t embarrass himself – it seems that Canibus is choosy about who rides with him. Surprisingly, the crowd wasn’t as energized as it usually is for hip-hop at this venue (one of the few in town south of 125th St. that’s willing to book rap at all). Canibus came on shortly therafter and delivered only a 30-minute set – the advantage for those who came out tonight was that nobody had to stand on the accursed floor here long enough for their feet to hurt). Although Canibus only has one album under his belt, he’s already in the upper echelon of rap lyricists. He also has a stage presence I’ve only seen in a few hip-hop artists: Chuck D, Ice-T and KRS-One. To drive home his talent, much of his show was just him rapping without any backing tape or support whatsoever: he’d do a verse, then they’d turn the DAT on again, then there’d be a pause (“Yo yo yo….”), then on with the show. His most impressive bit was a freestyle: again, without the DAT running. Other high points of the night were the acerbic, politically-charged Nigganometry from the new album, and then, predictably, his monster hit Second Round Knockout, to close the show. Mike Tyson didn’t show up to contribute anything. The sound was fantastic: you could hear every word, and the backing tape was pleasantly low in the mix, mostly low, computerized bass rather than the trebly, feedback-prone screech that it usually is here for rap shows. It’s unlikely that someone this talented and bound for stardom will be doing any more appearances at such a relatively small venue.

September 17, 2007 Posted by | Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment