Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Comic Wow’s New Album is Pure Psychedelic Genius

A couple of weeks ago we invented a drink. We call it Drano. It’s very simple, Tropical Fantasy Blue Raspberry soda and vodka (hey, when there’s torrential rain outside, sometimes you have to make do with what you have in the fridge). It’s the perfect drink, both visually and tastewise, for the new Comic Wow album Music for Mysteries of Mind Space and Time. Playful, tongue-in-cheek, sometimes silly, often ridiculously psychedelic, it’s 1960s-flavored, cinematic rock instrumentals in the same vein as the Vampyros Lesbos soundtrack or XTC’s Dukes of Stratosphear project. And it’s pure genuius: it could be a stoner soundtrack to a long-lost low-budget 1968 Cypriot detective film. With an absurd collection of every rock effect from the era – wah-wah, reverb, echo, melodies sputttering up dubwise into the mix only to retreat seconds later, or panning across the speakers and then back – it works equally well as satire and homage to psychedelic excess, especially because the tunes are so catchy. With a museum’s worth of vintage keyboard patches, banjo (?!), guitar, bass and drums, it has the same kind of WTF, out-of-the-box creative quality as the Peruvian chicha music from the 70s we love so much.

The first track is typical: a distantly Pink Floyd-style melody but with honkytonk instrumentation that telegraphs the ornate art-rock majesty that will appear soon. The second track is also basically a country melody, starting out with banjo and then morphing into an oscillating electro keyb song and again. The unselfconsciously amusing, swinging Jazz Computer assembles an impossible series of electric piano layers, blippy, bouncy and reverberating – and is that an Omnichord? Another track sets woozily oscillating Dr. Dre synth over Penny Lane piano – it’s ridiculously catchy and ought to go on longer than it does.

The next one takes what you can do with a clavinova to its logical extreme and then suddenly morphs into a trippy late 90s style interlude – with a vocoder. After that, a spy theme emerges gradually from a clubby techno vamp with fake horns and Spike Jones effects, switches to a brief, off-kilter Beefheart guitar-and-drums interlude followed by an Alan Parsons Project sequencer-and-synth segment. A march titled Encore Electronics Flute Fax starts out just plain hilarious and then gets ominous and dramatic, then goes for even more laughs with a flute-driven early 70s style chase scene. Chimp on a Pew reaches for trippy menace a la the Electric Prunes, a feel they take to the next level on Minor Hexagons. The longest number is Water Music Treadmill, a one-chord jam that mines dark, thumping, hypnotic Black Angels ambience. The album closes with Meet the Vampeatles which is just plain sick, a tv theme as written by Jeff Lynne and done by the Bonzo Dog Band, maybe. It’s out now on Asthmatic Kitty.

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November 1, 2010 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment