Song of the Day 3/8/10
The best 666 songs of alltime countdown continues every day, all the way to #1. Monday’s song is #143:
The Coup – Underdogs
No other song as succinctly and accurately captures the raw desperation of inner city poverty as well as this Clinton-era classic from the Oakland hip-hop crew’s 1999 cd Steal This Album. “I’d tear this shit up if I really loved you – and so would you.”
CD Review: Chang Jui-Chuan – Exodus: Retrospective and Prospective 1999-2009
Global hip-hop doesn’t get much better than this. Rapper/college professor Chang Jui-Chuan is a bonafide star of the hip-hop underground in his native Taiwan, and this collection – largely culled from a 2006 release – has him poised to cross over to an English-speaking audience. A gifted, frequently ferocious bilingual lyricist in his native language, Hokkien and also English, he delivers his English raps in a menacing, slurred Taiwanese-accented drawl. This is conscious hip-hop raised to a power: people have been executed for tackling the topics he addresses. He has little use for globalization:
You say free trade gets us out of poverty and hunger
Free trade saves my family from pistol triggers
Free trade assures good drugs for my son’s cancer
Then tell me why we’re dying faster than ever…
Exploitation disguised as freedom and democracy
Global corporations feed Third World Dictators
Paying less than one dollar per month for child workers…
He fearlessly takes the stand for dissidents who risk their lives around the globe, especially those who dare stand up to the mainland Chinese regime:
…when I’m placing an order on this free-speech website
It’s taken over by the interface in Chinese Simplified
Propaganda’s never simplified, can only be vandalized
I orchestrate lyrical drive-bys
The most potent lyric here is in Hokkien, titled Hey Kid, a scathing account of Chang Kai-shek’s invasion of Taiwan, the February 27, 1947 massacre of Taiwanese nationalist freedom fighters, and the subsequent terror that lasted decades and left tens of thousands of innocent civilians dead. He also addresses spiritual concerns without coming across as doctrinaire (he’s a Christian) and the need to preserve indigenous cultures in the face of western cultural imperialism. The backing tracks here deserve mention too because they’re excellent, ranging from spacy psychedelic funk, to roots reggae (Chang sings respectably well), to ominous, chromatically-charged funk-metal played by a live band rather than sampled. Fans of the best conscious American hip-hop acts: Immortal Technique, the Coup and Dead Prez are in for a treat here. Or maybe this guy can hook up with the Hsu-nami and we can get a real Taiwanese-American crossover.
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