Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 1/3/11

Tons of new stuff in the pipeline here including a new NYC live music calendar for this month and February coming out later on today. In the meantime, every day our 1000 best albums of all time countdown continues, all the way to #1. Monday’s is #757:

The Coup – Steal This Album

Although the Coup are a west coast hip-hop outfit (frontman/lyricist Boots Riley has been a community activist in Oakland for years), they have more of an east coast flavor: in fact, Riley is as good a candidate as anyone else for the title of greatest rap wordsmith ever. Where corporate rap glorifies guns and status objects, the Coup have always stuck up for the empoverished and the disenfranchised. As superb as their other albums are – everything they’ve ever done is worth owning – this 1998 release blends the funny with the poignant and the ferocious more than anything else they’ve done. The confrontational Piss on Your Grave is brutally amusing, as is The Repo Man Sings for You. 20,000 Gun Salute, The Shipment and Busterismology are revolutionary hip-hop at its most enlightening; Cars and Shoes, Me & Jesus the Pimp in a ’79 Granada Last Night and Breathing Apparatus speak to the struggling majority of us, as does the highlight of the album, Underdogs, arguably the most poetically apt depiction of the urban poverty trap ever recorded. By contrast, Sneakin’ In is a gleeful update on Public Enemy’s Yo Bum Rush the Show. Most recently, Riley has collaborated with Rage Against the Machine’s Tom Morello in the rap-metal project Confrontation Camp. Here’s a random torrent.

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January 3, 2011 Posted by | lists, Music, music, concert, rap music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 3/8/10

The best 666 songs of alltime countdown continues every day, all the way to #1. Monday’s song is #143:

The Coup – Underdogs

No other song as succinctly and accurately captures the raw desperation of inner city poverty as well as this Clinton-era classic from the Oakland hip-hop crew’s 1999 cd Steal This Album. “I’d tear this shit up if I really loved you – and so would you.”

March 8, 2010 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert | , , , , , , , , , , , , , , , , , , , , , | Leave a comment

CD Review: Rupa & the April Fishes – Este Mundo

It’s hard to imagine a sexier album – or a smarter one – released this year. Over the course of fifteen first-class tracks – there’s not a single substandard song on this cd – Rupa & the April Fishes come off like a better-traveled Eleni Mandell backed by an acoustic Gogol Bordello. Alternating between wild gypsy dances, ska, noir cabaret, Mexican border ballads, Colombian folk, tango, klezmer and reggae, this is without question the most triumphantly multistylistic tour de force of 2009.

Frontwoman/guitarist/physician Rupa Marya is a Franco-American globetrotter of Indian ancestry. Whether singing in English, French or Spanish, her lyrics are as evocative as they are provocative (the album is a tribute to and defense of immigrants risking their lives around the world). Her breathy vocals are equally nuanced, as capable of conjuring a sultry late-night ambience as much as nonplussed outrage, backed by an acoustic rhythm section along with cello, trumpet, and accordion as well as horns and flute on several tracks. They stay in moody minor keys until the next-to-last track, a surprisingly breezy number combining a Mexican folk feel with reggae, a lament that could be told from an immigrant’s viewpoint…or just a woman missing a lover.

Before that, there’s a brief, haunting violin theme; a swinging noir tango with an incisive trumpet solo at the end; a playful, fun gypsy dance that goes out on a boomy bass solo; a dark, violin-driven reggae number; a gypsy-inflected, slinky ska tune; a defiant gypsy waltz with echoes of New York vintage latin revivalists las Rubias del Norte; a sad, mariachiesque trumpet tune; a dark Mexican shuffle; a scary, Middle-Eastern-inflected gypsy dance that builds from a stately hora-style intro; a jaunty, bluesy ragtime song with a big dixieland raveup at the end; and a bouncy cumbia featuring a characteristically intense rap interlude by the greatest English-language lyricist of our time, Boots Riley of Oakland hip-hop legends the Coup (who has an intriguing new collaboration with Tom Morello of Rage Against the Machine, Street Sweeper Social Club).

Part of this album is a great dance mix; what’s not danceable makes great makeout music. Socially aware, sometimes surreal and invariably inspired, this is one of the best albums of the year, yet another reason why we’re not going to finalize our Best Albums of 2009 list until the end of December. Rupa & the April Fishes play the Bell House along with another excellent, multistylistic, danceable band, Nation Beat on November 13 at 8 PM.

November 9, 2009 Posted by | Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment