Lucid Culture


Album of the Day 3/1/11

New NYC live music calendar coming sometime today. In the meantime, as we do every day, our 1000 best albums of all time countdown continues all the way to #1. Tuesday’s album is #700:

Dumptruck – D Is for Dumptruck

In 1984, there was one American janglerock band that was better than just about any other one and it sure as hell wasn’t REM. On their debut album, Brookline, Massachusetts’ Dumptruck added a growling noiserock edge to their Byrdsy jangle and clang and the result was vastly more intense and interesting than anything the Athens band ever did. Drenched in cool reverb, Seth Tiven and Kirk Swan’s Telecasters slink and intertwine, firing off uneasy sparks when they’re not slamming their way through one catchy chorus after another. The big crescendoing college radio hit was Alive; the closest thing to a straight-up pop song here is The Haunt. Things Go Wrong foreshadows the brooding, sullen sound they’d mine on later albums. How Come builds slowly out of a long, noisy crescendo to catchy early Cure-style janglepop; the aptly titled Repetition works a hypnotic, insistent vibe; Swirls Around, Something’s Burning and Carcass contrast jarring noise with anthemic tunefulness. The late 90s digital reissue includes four bonus live tracks recorded at CBGB which one person here claims aren’t very good, because he was at that show. Despite being subjected to every record label nightmare conceivably possible, the band eventually managed to put out three more albums over the following couple of decades, and they’re all worth owning. Here’s a random torrent via victoriansquidmusic, thanks for this.

March 1, 2011 Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment