Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: Dadi – Bem Aqui

Who’s your Dadi? If you’re Brazilian, it’s probably Eduardo Magalhaes de Carvalho. Over the course of a long and eclectic career as a sideman, he’s worked with everybody from Marisa Monte to Caetano Veloso to Mick Jagger. This new album, his second as a bandleader is recently out on Sunnyside, and unlike what you might expect from that label it’s not a jazz release but instead a tersely arranged, irrepressibly sunny, indelibly Beatlesque collection of sixties-flavored three-minute pop songs. For those who were smitten by Os Mutantes, whether the first time around or later, this is considerably more direct yet equally cheery and captivating. Carvalho sings in Portuguese with a casual, thoughtful understatement.

The album kicks off with a Stax/Volt style shuffle transported to even balmier surroundings, followed by a fetching duet with Monte over swaying, vintage 70s style janglepop  driven by tasteful electric guitar and organ. The title track is sparse nocturnal bossa-pop with acoustic guitar, piano and cello; likewise, Passando echoes hypnotically with distant piano in a Jenifer Jackson vein. Nao Tente Comprender (You Don’t Get It) nicks the chords from the Beatles’ You Won’t See Me; the strikingly minimalist, swaying 6/8 rock ballad Quando Voce Me Abraca (When You Embrace Me) blends tropicalia with deliciously glimmering layers of guitars and piano.

There’s also an ominously swinging, 6/8 Os Mutantes-inflected psychedelic number capped by fat blues guitar solo; another Beatlesque tune that could have been a Brazilian version of a top 40 hit from Let It Be, right down to the watery, George Harrison-esque chorus box guitar; and another Harrison-inflected song, the gorgeous, slowly crescendoing  jazz-pop anthem Por Que Nao (Why Not). The album ends on a surprisingly dark note with a fiery, bluesy, early Santana-esque one-chord rock jam, hinting that this guy may rock harder than he lets on here. If Dadi’s lyrics were in English, he’d be huge with the American indie pop crowd, the Shins et al. As it is, it’s a breezy, fun album, the kind you find yourself humming and wonder what that tune could have come from.

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February 24, 2010 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment