Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: Mickey Wynne – Running on Empty

We’re late in reviewing this one, but Mickey Wynne’s guitar playing and songwriting defy the ravages of time: the Liverpool-born rock vet delivers vivid, smartly played, smartly written Americana rock. As befits a guy with an Electric Ladyland/Abbey Road Studios pedigree, the song are superbly produced, blending rustic acoustic textures with a savage, electric, early 70s psychedelic bent, guitars swirling, bending, phasing in and out. Perfectly illustrative song: the lush ballad Against All Odds I’ll Do It, with its layers of acoustic guitar and mandolin that build to a big, sweeping crescendo before coming back down again with a majestic grace.

The tour de force here is the fiery, insistent Bush era parable All Quiet on the Eastern Frontier, funky acoustic guitar giving way to macabre, reverb surf guitar on the chorus and an equally nightmarish outro. It could have been an A-list Dire Straits album cut from 1982 or so. The title track is a shapeshifting John Lee Hooker-style blues with sparse, incisive slide guitar accents that morphs into pounding Led Zep style riff-rock; the hallucinatory, reverb-drenched French Blooze evokes recent work by Spottiswoode or Marty Willson-Piper. Wynne plays the usual UK roots music haunts: the 12 Bar, et al.; the live tracks up on Wynne’s site confirm his reputation as a dynamic, intense live performer.

February 24, 2010 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , | 5 Comments