Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The 50 Best Albums of 2009

You’ll notice that aside from the #1 spot here, these aren’t ranked in any kind of order: the difference, quality-wise between #1 and #50 is so slight as to make the idea of trying to sort out which might be “better” an exercise in futility. If you’re interested, here’s our 100 Best Songs of 2009 list.

1. The Brooklyn What – The Brooklyn What for Borough President

Like London Calling, it’s a diverse yet consistently ferocious, sometimes hilarious mix of styles imbued with punk energy and an edgy, quintessentially New York intensity. Time will probably judge this a classic.

2. Matthew Grimm & the Red Smear – The Ghost of Rock n Roll

The former Hangdogs frontman’s finest, funniest, most spot-on moment as a fearless, politically aware Americana rocker.

3. The Oxygen Ponies – Harmony Handgrenade

Dating from the waning days of the Bush regime, this is a murderously angry album about living under an enemy occupation: love in a time of choler?

4. The Beefstock Recipes anthology

A rich double album of some of New York’s best bands, with standout tracks from the Secrets, Paula Carino, Erica Smith, Skelter, Rebecca Turner and many more.

5. Dan Bryk – Pop Psychology

Arguably the most insightful – and most brutally funny – album ever written about the music industry. The tunes are great too.

6. Balthrop, Alabama – Subway Songs

The sprawling Brooklyn band go deep into 60s noir with this brilliantly morbid, phantasmagorical ep.

7. Bobby Vacant & the Weary – Tear Back the Night

In the spirit of Dark Side of the  Moon and Closer, this is a masterpiece of artsy existentialist rock. You’ll find several tracks on our Best Songs of 2009 list, including our #1 pick, Never Looking Back.

8. Botanica – americanundone

All the fearless fury and rage of a Botanica live show successfully captured at a show in Germany late last year.

9. Kelli Rae Powell – New Words for Old Lullabies

The amazingly lyrical oldtimey chanteuse alternates between sultry, devious romantic stylings and sheer unhinged anger.

10. McGinty & White Sing Selections from the McGinty & White Songbook

Ward White and Joe McGinty’s wickedly lyrical collaboration puts a fresh spin on retro 60s psychedelic pop.

11. The Church – Untitled #23

The Australian art-rock legends’ latest is yet another triumph of swirling atmospherics and intense lyricism.

12. Amy Allison – Sheffield Streets

Her best album – the New York song stylist has never been funnier or more acerbic. Includes a charming duet with Elvis Costello.

13. Steve Wynn and the Dragon Bridge Orchestra – Live in Brussels

A lush, majestic effort recorded with the stellar crew who played on his most recent studio album Crossing Dragon Bridge.

14. Elisa Flynn – Songs About Birds & Ghosts

Haunting and poignant but also cleverly amusing, the New York rocker has never written better or sung more affectingly.

15. The Jazz Funeral – s/t – free download

The best band ever to come out of Staten Island, New York, these janglerockers write excellent lyrics and have some very catchy Americana-inflected tunes.

16. Jay Bennett – Whatever Happened, I Apologize – free download

The last album the great Americana songwriter ever recorded, a harrowing chronicle of dissolution and despair.

17. Marty Willson-Piper – Nightjar

The Church’s iconic twelve-string guitarist’s finest work ever, a sweeping, majestic, multistylistic masterpiece.

18. Black Sea Hotel – s/t

New York’s own Bulgarian vocal choir’s debut is otherworldly, gorgeous and strikingly innovative.

19. Rupa & the April Fishes – Este Mundo

Latin meets noir cabaret meets acoustic gypsy punk on the Bay Area band’s sensational second album.

20. The JD Allen Trio – Shine!

The tenor saxophonist/composer goes straight for wherever the melody is, usually in four minutes or less, with one of the world’s great rhythm sections, Gregg August on bass and Rudy Royston on drums. Time may also judge this a classic.

21. The New Collisions – s/t

All the fun and edgy intensity of vintage 80s new wave reinvented for the next decade by platinum-haired frontwoman Sarah Guild and her killer backing band.

22. Ten Pound Heads – s/t

The great long lost Blue Oyster Cult album: relentlessly dark, edgy, occasionally noir art-rock songs with layers of great guitar.

23. Easy Star’s Lonely Hearts Dub Band

A hilariously woozy, fun romp through the songs from Sergeant Pepper, by the allstar NYC reggae crew who brought us Dub Side of the Moon and Radiodread.

24. Jeff Zentner – The Dying Days of Summer

Intense, memorable Nashville gothic songwriting from one of its finest practitioners.

25. Chris Eminizer – Twice the Animal

Cleverly lyrical art-rock songwriting with tinges of vintage Peter Gabriel from this first-rate New York rocker.

26. Tinariwen – Imidiwan: Companions

The Tuareg rockers’ most diverse, accessible album, as memorable as it is hypnotic.

27. Monika Jalili – Elan

Classic songs from Iran from the 60s and 70s, fondly and hauntingly delivered by the Iranian-American siren and her amazing backup band.

28. Ivo Papasov – Dance of the Falcon

The iconic Bulgarian clarinetist delivers maybe his most adrenalizing, intense album of gypsy music ever.

29. The Stagger Back Brass Band – s/t

The Spinal Tap of brass bands are as virtuosic and melodic as they are funny – which is a lot.

30. Eric Vloeimans‘ Fugimundi – Live at Yoshi’s

The Dutch trumpeter leads a trio through a particularly poignant, affecting mix of classically-tinged jazz.

31. The Asylum Street Spankers – What? And Give Up Show Business?

Recorded at the Barrow Street Theatre in New York last year, this is a boisterous, furious mix of hilarious skits and songs by the Dead Kennedys of the oldtimey scene.

32. Salaam – s/t

Sister-and-brother Dena and Amir El Saffar’s richly memorable, haunting seventh album of Middle Eastern instrumentals and ballads.

33. Fishtank Ensemble – Samurai over Serbia

Their shtick is that they add an Asian tinge to gypsy music, giving it an especially wild edge. The singing saw work on the album is pretty amazing too.

34. Charles Evans/Neil Shah – Live at Saint Stephens

An eerily glimmering, suspensefully minimalist masterpiece by the baritone sax player and pianist, recorded in a sonically exquisite old church earlier this year.

35. The Silk Road Ensemble – Off the Map

Their first one without Yo-yo Ma is also their most adventurous mix of Asian and Middle Eastern-themed compositions (by Osvaldo Golijov, Angel Lam, Evan Ziporyn and others), played by an allstar cast including Kayhan Kalhor, string quartet Brooklyn Rider, pipa pioneer Wu Man and a cast of dozens.

36. Linda Draper – Bridge and Tunnel

The NYC songwriter’s most straightforward, catchy yet also maybe her most lyrically edgy album yet – and she has several.

37. Darren Gaines and the Key Party – My Blacks Don’t Match

Wry, Tom Waits-inflected noir songs by this excellent NYC crew.

38. Love Camp 7 – Union Garage

A deliciously jangly followup to their classic 2007 album Sometimes Always Never.

39. The Komeda Project – Requiem

The New York jazz crew’s second collection of works by the Roman Polanski collaborator who died tragically in the 1960s is brooding, morbid, cinematic and Mingus-esque.  

40. Si Para Usted Vol. 2 – The Funky Beats of Revolutionary Cuba

Like the Roots of Chicha series, Waxing Deep’s second devious, danceable collection of genre-hopping obscure Latin funk from 1970s Cuba onward is packed with obscure gems.

41. Huun Huur Tu and Carmen Rizzo – Eternal

Ominous, windswept, atmospheric North Asian ambience produced with stately, understated power.

42. The Moonlighters – Enchanted

Another great album: gorgeous harmonies from Bliss Blood and Cindy Ball, charming retro 20s songwriting and incisive steel guitar from NYC’s best oldtimey band.

43. Minamo – Kuroi Kawa/Black River

Pianist Satoko Fujii and violinist Carla Kihlstedt share a telepathic chemistry in duo soundscapes ranging from clever and playful to downright macabre.

44. Robin O’Brien – The Apple in Man

The multistylistic chanteuse, legendary in the cassette underground, gets her haunting, intense, otherworldly vocals set to smart, terse new arrangements from dreampop to 70s style Britfolk to trance.

45. Devi – Get Free

Ferociously smart pychedelic power trio rock with one of the most interesting lead guitarists out there right now.

46. Obits – I Blame You

Dark, catchy, propulsive retro 60s garage rock with echoes of the Stooges and early Pink Floyd by this inspired Brooklyn band.

47. HuDost – Trapeze

Sweeping, sometimes hypnotic, artsy songs that move from Americana to gypsy to goth, with frontwoman Moksha Sommer’s graceful vocals.

48. Lenny Molotov – Illuminated Blues

Hauntingly visionary, provocative, politically aware songs set to gorgeously rustic, late 1920s blues, swing and hillbilly arrangements by the great Americana guitarist.

49. Chang Jui-Chuan – Exodus: Retrospective and Prospective 1999-2009

Fearless conscious bilingual hip-hop (in Taiwanese and English) from this international star.

50. Les Triaboliques – rivermudtwilight

A trio of old British punks – Justin Adams, Ben Mandelson and Lu Edmonds – combine to create a masterpiece of desert-inspired duskcore.

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September 17, 2009 Posted by | jazz, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

CD Review: Easy Star’s Lonely Hearts Dub Band

This is the third classic album playfully covered by the all-star New York-based roots reggae crew the Easy Star All-Stars, after Dub Side of the Moon and Radiodread. Basically, what they discovered is you can take pretty much anything and make reggae out of it and it’ll sound good. Consider: Shinehead took the odious Seals & Crofts hit Summer Breeze, changed the lyrics, retitled it Collie Weed and…a classic! Thankfully, this album demonstrates far more craftsmanship and subtlety. In fact, in a lot of ways it’s actually better than the original. The band is vastly tighter and the production is far more focused yet brimming with little touches that are often laugh-out-loud funny, much in the same vein as Brian Jonestown Massacre or XTC’s lovingly spot-on parodies of 60s psychedelia, issued under the Dukes of Stratosphear pseudonym a little over 20 years ago.

 

At the end of the opening theme, in lieu of McCartney’s satirical voiceover, a toaster delivers a brief Rasta benediction. From there, the producers have completely mixed up the tracks, but it’s still a fun ride. Lucy in the Sky with Diamonds has bright, melismatic Frankie Paul loverman vocals with ringing guitar that pays homage to the original. Getting Better features the Mighty Diamonds on vocals, sounding as good as ever, slowing it down from the original’s farcical stomp. The only drawback is that the original’s silliness was its selling point: rearranged this way, it’s a nice poppy reggae song, nothing more.

 

Fixing a Hole features none other than Max Romeo on vocals, a hilariously apt choice considering his notoriously disingenuous claim that his big hit Wet Dream was actually about a leaky roof! This one gets deliciously spacy echoes of vintage Scratch Perry. She’s Leaving Home gets a soulful, rather sultry vocal treatment by a newcomer, Kirsty Rock over a fast rocksteady beat. Without missing a beat, the bass drops out and the reverb kicks in when you least expect it. For the Benefit of Mr. Kite has the English Beat’s Ranking Roger on lead vocals, bringing it up doublespeed from the spacy dub first verse and then back again just as fast.

 

Within You Without You has a sitar and Matisyahu doing his best cantorial impression, and he actually doesn’t embarrass himself, with a vivid string section playing much of the original sitar part. When I’m Sixty-Four begins with a trombone call and goes on for over five minutes, Sugar Minott on vox, a showcase for the excellent horn section featuring the nucleus of the Burning Brass, baritone sax virtuoso Jenny Hill and trumpet goddess Pam Fleming, with an understatedly woozy dub breakdown.

 

Lovely Rita has Bunny Rugs and U-Roy, the latter taking it back to 1972 or so with his best Dread in a Babylon-style off-the-cuff nonsense. Good Morning Good Morning is the weakest track here, Steel Pulse sounding slick and uninspired like they were on their studio albums from the 80s rather than mining the classic, dark, heavy sound they’ve recently rediscovered with a vengeance. Surprisingly, the Sgt. Pepper reprise is next, followed by A Day in the Life. Done with an insistent Ras Michael style riddim, it has Michael Rose of Black Uhuru and Menny More sharing vocals, the band holding perfectly steady as the orchestra rises to a crescendo, the final piano note oscillating dubwise for just as long as George Martin’s fist-on-the-strings. A Little Help from My Friends has Luciano on lead vocals, and it might be the best song he’s ever done, thanks to the band’s inspired performance. Right now the whole album is available for streaming at imeem. Caveat: after the first song, don’t forget to refresh the page, otherwise you’ll be assaulted by a loud audio ad. And make sure your popup blocker is working.

 

Since this crew seem to have dedicated themselves to covering one iconic artist after another, we’d like to suggest a few ideas. Dread at the Apollo would be James Brown covers, preferably recorded live, uptown at the same place – hey, it would be a short train ride for most of the musicians. The Man in Red, Gold and Green would be Johnny Cash songs. And to give the lady performers a chance to flex, how about Fox Confessor Bring de Herb? That would be Neko Case, yeah mon!  

April 14, 2009 Posted by | Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Top Ten Songs of the Week 4/13/09

We do this every week. You’ll see this week’s #1 song on our 100 Best Songs of 2009 list when we finalize it at the end of December, along with maybe some of the rest of these too. This is strictly for fun – it’s Lucid Culture’s tribute to Kasey Kasem and a way to spread the word about some of the great music out there that’s too edgy for the corporate media and their imitators in the blogosphere. Each link here will take you to the song.

 

1. Jang Sa-ik – Wild Rose

The haunting, soulful “Voice of Korea”‘s big, noir, Orbison-esque hit. This is a characteristically gripping live version. He’ll be at NY City Center on 4/18. 

 

2. Raya Brass Band – Karsilamas

Wild delirious minor-key Balkan brass band madness by this allstar NYC crew. They’re at Mehanata on 4/16 at 9. 

 

3. Easy Star’s Lonely Hearts Dub Band – Lucy in the Sky with Diamonds

Arguably better than the original!?! Roots reggae, funny but also really good! From the new album.

 

4. Jan Bell – Carpenter’s Arms

Absolutely haunting stuff from the British expat relocated to Brooklyn. 

 

5. Kerry Kennedy – Because You’re Gone

If memory serves right this is a Little Annie/Paul Wallfisch collaboration, done with characteristic dark panache by this excellent noir rocker. She’s at Small Beast at the Delancey upstairs on 4/16.

 

6. Dub Proof – Ocean Avenue

Woozy instrumental dub reggae with a nice funky groove.

 

7.Sari Schorr – Come Around

Artsy atmospheric ballad with bite.

 

8. Reigns – Everything Beyond These Walls Has Been Razed

Ambient, minimalist, atmospheric, gothy. This is the video.

 

9. Alana Amram & the Rough Gems – Take a Drink

Great party anthem from the NYC country/Americana chanteuse.

 

10. Michelle Citrin & William Levin – 20 Things to Do with Matzah

Now that Passover week is over, we’re looking forward to 50 cent matzoh in the supermarket! This isn’t new, some of you doubtlessly know it already but it is really funny.

April 14, 2009 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment