Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 4/23/11

Every day, our 1000 best albums of all time countdown continues all the way to #1. Saturday’s album is #647:

Fairouz – The Olympia Concert

When the iconic Middle Eastern chanteuse played this show at the Olympia in Paris in 1979, her beloved Lebanon was under siege. You don’t need to speak Arabic to feel the pain and longing in the her stoic, carefully modulated voice: she’s sort of the Linda Thompson of the Arab world. Here she’s backed by a full orchestra plus a rock rhythm section and a brilliant oboeist who gets a lot of solos and makes the most of them. The acknowledged classic here is the sweeping, majestic epic Sheherezade, resplendent with oud, choir and orchestra. There’s also plenty of unselfconscious longing in another epic, Ya Aukht Zeinab, A Song for Paris, the bittersweet Ya Hawa Beirut (For Love of Beirut) and the slowly unfolding European-flavored ballad Rudani Ila Biladi (It’s a Pleasure). Habbaytak Bessayf (I Loved You in the Summer) is typical of the Rahbani Brothers’ songwriting (she married one of them): brooding Northern European Romanticism with Middle Eastern tonalities. The spooky, flute-driven nocturne Ya Markab’ Al Rih is rustic and cinematic; Bhibbak Ya Lebnan (I Love You Lebanon) could break your heart. It captures a moment like few songs can. The rest of the fourteen tracks here range from Arabic disco to carnivalesque pop to slow, sweeping ballads. Bootlegged to death throughout the Arab world (visit your local Arab music store if you have one; it’s probably there in one form or another), impossible to find in English. Many of the tracks are streaming at this Vietnamese site.

April 23, 2011 Posted by | lists, middle eastern music, Music, music, concert, world music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The Rough Guide to the Music of Afghanistan: Great Album and Important Historical Document

The recently released Rough Guide to the Music of Afghanistan is as important historically as it is fascinating. Let’s not forget the “ban” in Taliban – during their official reign (many parts of Afghanistan are still de facto Taliban territory), music was outlawed. And even prior to the Taliban takeover, Afghan musicians who challenged previous regimes often paid with their lives, as in the case of balladeer Ahmad Zahir – represented here by a hypnotic, orchestrated, somewhat lo-fi hit – murdered at the peak of his popularity at age 33. Also included here is Setara Hussainzada, a finalist from the popular tv program Afghan Star (the Afghani equivalent of American Idol), driven into hiding after a wardrobe malfunction (her burqa slipped, revealing her face). Her contribution is a brief, somewhat woozy Bollywood-ish dance-pop number.

Although sarinda fiddle player Mashinai’s life was spared, his son’s was not. His child murdered and his house blown up, Mashinai was forced to give up playing and worked as a butcher at a local open-air market until music returned to the Afghan airwaves in 2001. Here he turns in a bracing fiddle-and-tabla instrumental. Perennial Afghan chanteuse favorite Mahwash contributes the collection’s best song, the furtively majestic Mola Mamad Djan, which with its intense dambura lute solo and insistent vocals reminds how deeply the levantine art songs of Oum Kalthoum and Fairouz had penetrated the Islamic world. The levantine mood recurs with a towering instrumental by the late rubab (lute) virtuoso Ustad Rahim Khushnawaz, accompanied by damburist Gada Mohammad and percussionist Azim Hassanpur, and on an understatedly lush ballad by female singer Naghma, Lebanese pop teleported to Kabul.

Of the other tracks here, rubab player Homayun Sakhi has a catchy, hypnotic instrumental punctuated by some genuinely breathtaking tremolo-picking. Damburist Mehri Maftun delivers a trickily polyrhythmic live performance, the crowd clapping along happily (which makes sense, given how long Afghanis went without the opportunity to do that). 20-year-old Rafi Naabzada (the 2009 Afghan Star winner), accompanied here by multi-instrumentalist Hameed Sakhizada has a deliciously tuneful, psychedelic pop song that sounds like a Central Asian Chicha Libre. Farhad Darya has two versions of the same song, a plea for peace: one a crunchy 2/4 rock number that gives shout-outs to cities around the world (in English), the other with more of a Bollywood dance-pop flavor. There’s also a long, trance-inducing traditional number from the Ahmad Sham Sufi Qawwali Group, who are included on a full-length bonus cd of similarly soaring, hypnotic devotional songs and instrumentals. The album is out now from World Music Network; those who like this may also enjoy the recently updated Rough Guide to the Music of India.

January 6, 2011 Posted by | folk music, middle eastern music, Music, music, concert, review, Reviews, world music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment