Song of the Day 7/23/10
Our daily best 666 songs of alltime countdown is working its way through the top ten: six days left before we reach the greatest song ever. Friday’s song is #6:
The Dead Kennedys – A Growing Boy Needs His Lunch
Hang in there: the DKs open the song by running a whole verse without lyrics, East Bay Ray’s macabre surf guitar sounding like a guitar army. The song is on Frankenchrist, the greatest punk band’s greatest album. It’s a random series of observations that any relatively perceptive kid could have made in 1985: the idiocy of Elvis worship; how multinational corporations take their poison to the third world when the FDA bans it here (they don’t anymore); the sick and twisted world of CIA black operations. And how does the average person respond: “Turn on, tune in, drop out? Drop kick, turn in, tune out.” Bassist Klaus Flouride practically breaks his low string in disgust at the end.
Song of the Day 2/27/10
The best 666 songs of alltime countdown continues every day, all the way to #1. Saturday’s song is #152:
The Dead Kennedys – This Could Be Anywhere
Not only is Frankenchrist a great album, it’s also an irreplaceable historical document, a vivid look at what it was like being a kid during the Reagan years – the division between rich and poor growing ever wider, the dispossessed underclass distracted by media-generated fear of immigrants, punks and smart people in general. This song captures that era better than any prosaic description ever could. It also has a ferociously good bassline.
CD Review: The Oxygen Ponies – Harmony Handgrenade
Call the Oxygen Ponies’ second album Love in a Time of Choler. Recorded during the last months of the Bush regime, it’s an attempt to reconcile the search for some sort of transcendence with the need to overthrow an enemy occupation. It’s also a strong contender for best album of 2009 (stay tuned!). Savagely lyrical, swirling and psychedelic, the obvious comparison is to the great Australian rockers the Church, although sonically and texturally a lot of it is gentler and sometimes more overtly 60s-influenced. Lots of dynamics here, organ and piano floating in and out, backing vocals sometimes adding a gospel choir flavor: it’s a triumph for producer Don Piper. Many of the tracks feature indie rock siren Randi Russo’s velvet vocals adding subtlety and menace. Frontman Paul Megna has always been a formidable lyricist, but here he vaults into the uppermost echelon. The cd’s opening track Love Yr Way begins skeletal, almost Leonard Cohen-esque, before leaping to an ecstatic crescendo at the end:
They broke my itchy trigger finger
Scratched an X upon my door
When they hang this message bringer
Blood will rain down through the floor
The insistent, midtempo Fevered Cyclones pans to a less-than-idyllic outer-borough hell:
We live like clones in our suburban homes
Substituting plastic to get by
You got the best, you want the rest
And you don’t think you’re living a lie
The War Is Over, a percussive garage rock stomp, throws another elbow at someone a little too perfect to believe:
The war is over, the bastards won
Don’t leave home without your lungs
They’ll shoot your mouth off without a pause
Every body has its flaws
But not you…
The war is over
The heroes lost
Cauterize the permafrost
The title track somewhat woozily chronicles two curiously named, possibly fictional, possibly pseudonymous women, Harmony Handgrenade and Melody Marzipan and the nasty repercussions their nonconformity brings them. Yet, it ends on a hopeful note. Grab Yr Gun begins slow and pensive, building to a catchy garage-pop chorus and then goes gospel, and satirically so: “Let your gun be your guide.” A big, scorching rocker, Finger Trigger evokes the loudest stuff on the Church’s Priest = Aura album, desperately flailing for some kind of hope, “Anything to dissipate the grey skies falling.” But it’s too late:
You and I and everyone waiting for a brighter sun to shine
We’re wasting time…
I can feel the terrorist inside of me
Choking on the apple of your eye
Hurry up, don’t be late, they’re gonna kill you where you sleep
Shut your mouth, shut your eyes and count the bombs in your heartbeat
The most indelibly Bush-era cut is the pensive, hypnotic, yet absolutely defiant, Steve Kilbey-esque Villains:
All you mystic gurus
Liars thieves and whores
A plague upon your houses
And all your holy wars
All you self defeatists
I call you all to arms
If we stop medicating
Then who will buy the farm
The fuckers in the White House
Hate your family…
We’ve got a long drive home
Defiance reaches a peak on the swinging, macabre ragtime tune Smile, shades of the late, great Douce Gimlet. The cd winds up on a somewhat subdued, sardonic note with A Bottle Marked the Enemy: “They’re gonna come for you, when they comfort you.” Like Simone de Beauvoir’s The Mandarins or the Dead Kennedys’ Frankenchrist, this album perfectly captures a time and place, if one that 5.9 billion people would rather forget. There’s undoubtedly a post-Bush era indie film out there that could match up with this much like Garden State did with the Shins. Maybe more than anything else, this is a cautionary tale, a vivid reminder of where complacency got us the last time around.