Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Annabouboula’s Immortal Water is Potent Stuff

“Annabouboula” translates roughly from the Greek as “cacaphony,” or in common usage, “brouhaha.” Immortal water is a powerful liquor. So does Annabouboula’s new album sound like a drunken brouhaha? Not really. But it’s definitely a party. The trio of multi-instrumentalists George Sempepos, Chris Lawrence, and chanteuse Anna Paidoussi date back to 1986 when they were signed to Virgin Records and quickly established themselves as one of the era’s most interesting, esoteric bands. They went dormant in the early 90s just as the world-funk sound they’d pioneered began to gain traction. Fast forward to 2010 and a new album: this one sounds sort of like the Middle Eastern version of Chicha Libre, surfy, wryly clever and psychedelic, with Greek lyrics sung powerfully and often hauntingly by Paidoussi.

The opening track, Hello Sailor, is a tour de force: a slinky, haunting levantine vamp contrasting with gently sensual vocals, layers and layers of lead guitar, eerily pointillistic qanun and swooshy string synthesizer. Lilly (The Scandalous Girl) sets the riff from the Smiths’ How Soon Is Now to a Bo Diddley beat, resulting in what sounds like Nancy Sinatra gone to the Mediterranean. There are two versions of the title track: the Brooklyn mix, matching bristling guitar to clubby synthesizer and synth bass textures, and the funkier Smyrna mix. Come Sit on My Sofa, with its Middle Eastern snakecharmer chromatics and acoustic guitar slashing through some oud voicings, evokes Sempepos’ brilliant/obscure Mediterranean surf band the Byzan-Tones.

The most straightforward rock song here is May Day: underneath the 80s textures, there’s a wickedly catchy surf tune threatening to rise up and drench everything in its path. What Do You Care Where I’m From takes a hypnotic turn into dub reggae; The Boat from Turkey slyly blends 80s guitar and synthesized organ textures into a deliciously weird psychedelic web. There’s also the Cretan Hop, which with its bagpipe guitar riffage sounds like Big Country in Greek, the stately, understatedly ominous If You See the Mountains Burning, and a playful, silly introduction to Greek rhythms for western audiences. Oh yeah, did we mention that this is an eclectic band? In lieu of a new album from Chicha Libre, this one will do just fine: look for it on our Best Albums of 2010 list in about a week.

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December 14, 2010 Posted by | funk music, middle eastern music, Music, music, concert, review, Reviews, rock music, world music | , , , , , , , , , , , , , , , , , , , , | 1 Comment

Top Ten Songs of the Week 11/1/10

Our weekly, Kasey Kasem-inspired luddite DIY version of a podcast is a little late again, sorry, we’ll try to have next week’s for you on Tuesdays like we usually do. Every week, we try to mix it up, offer a little something for everyone: sad songs, funny songs, upbeat songs, quieter stuff, you name it. We’ve designed this as something you can do on your lunch break if you work at a computer (and you have headphones – your boss won’t approve of a lot of this stuff). If you don’t like one of these songs, you can always go on to the next one: every link here will take you to each individual song. As always, the #1 song here will appear on our Best Songs of 2010 list at the end of the year.

1. The Toneballs – Chelsea Clinton Knows

Characteristically incisive lyrical rock from Dan Sallitt’s jangly post Blow This Nightclub crew. They slayed with this a couple of weeks ago at the Parkside.

2. Annabouboula – Opium Bride

Psychedelic Greek rebetika surf/dance rock with sultry female vocals. They’ve got a long-awaited new album out and it’s great.

3. The Del Lords – When the Drugs Kick In

The legendary 80s Americana rockers’ first new song in 20 years, and it was worth the wait.

4. The Visitors – Living World

The New Race garage-punk classic recorded live 2008 via thebarmansrant.

5. Para – Roboti

Quirky, catchy Slovakian 80s flavored rock. They’re at Drom 11/17 at 9.

6. Copal – Shadows

One-chord jams don’t get any cooler than this hypnotic, trippy violin/cello Middle Eastern dance-rock vamp. From their excellent new album. They’re at Drom tonight at 10 if you’re in the mood to get out of the rain and dance.

7. Meg Reichardt – Frozen Toe Blues

The Roulette Sister and Chaud Lapin on a rare solo jaunt doing a typically irresistible oldtimey blues number.

8. Jeremy Messersmith – A Boy, a Girl and a Graveyard

This is the Tattooine guy, Elliott Smith style.

9. Cee-Lo Green – Fuck You

We couldn’t let the year go by without at least giving this one a mention. C’mon, you know you love it.

10. Buffalo Springfield – Burned

From the initial reunion show by the 60s psychedelic pop/Americana rock legends – this is with Neil on vocals, live via Leftsetz.

November 4, 2010 Posted by | blues music, lists, middle eastern music, Music, music, concert, rap music, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment