Album of the Day 8/22/11
Every day, our 1000 best albums of all time countdown continues all the way to #1. Monday’s album was #526:
The JPT Scare Band – Past Is Prologue
Legendary in the midwest, the Kansas City power trio of drummer Jeff Littrell, bassist Paul Grigsby and guitarist Terry Swope recorded most of this between 1973 and 1975. While none of these tracks were officially released until 2001, the band was a cult favorite of the “cassette underground” for years. The opening track here, Burn In Hell, a forest of tense, flanged minor chords, was actually recorded that year and shows that the band was keeping up with the times. But it’s the old stuff that’s the most riveting: Sleeping Sickness, practically fourteen minutes of virtuoso Texas blues with metal flourishes, ten years before Stevie Ray Vaughan mastered the art; the wildly Hendrix-inspired proto-noiserock of I’ve Been Waiting and Time to Cry (which clocks in at a modest 12:59); Jerry’s Blues, which sounds a lot more like Jimi than the Dead; and the riff-rocking psychedelia of Titan’s Sirens. Recently reunited, the band played their first show in thirty years earlier this summer and are reputedly as scary as ever. Most of the tracks are streaming at myspace (without ads, happily); here’s a random torrent via Cavites Pride. The album, along with the equally good, bizarrely titled Acid Blues Is the White Man’s Burden, is also still available from Ripple Music.
August 23, 2011 Posted by delarue | lists, Music, music, concert, rock music | best albums, best albums all time, best albums alltime, best albums ever, best albums list, best albums lucid culture, best music, best music ever, best obscure albums, best obscure albums all time, best obscure albums alltime, best obscure albums ever, best rock albums, best rock albums all time, best rock albums alltime, best rock albums ever, best underrated albums, greatest albums all time, greatest albums alltime, greatest albums ever, greatest obscure albums, greatest rock albums all time, greatest rock albums alltime, greatest rock albums ever, hard rock, heavy metal, jeff littrell, jpt scare band, metal music, most underrated albums, most underrated albums all time, Music, paul grigsby, power trio, proto metal, psychedelia, psychedelic music, psychedelic rock, terry swope, top albums all time, top albums alltime, top albums ever | Leave a comment
Album of the Day 2/24/11
Today we’ll be completely out of commission until early evening, at which point we’ll do our best to get back to business and open up the floodgates. In the meantime, as we do every day, our 1000 best albums of all time countdown continues all the way to #1. Thursday’s album is #705:
The MC5 – Kick Out the Jams
Here’s one you know. We’re trying to steer clear of the stuff on the web’s two most popular “best albums” lists, but this one pretty much everybody agrees on. It works whether you consider this metal, proto-punk, garage rock or the avant garde (it’s a bit of all of them). The MC5’s 1968 debut kicks off with frontman Rob Tyner screaming “Motherfuckers!” and ends with the drony proto-noiserock epic Starship. In between we get a practically punk version of an old folk song and then the title track – an urgent message to self-indulgent hippie musicians to keep things tight – as well as the completely nonsensical but deliriously fun Rocket Reducer No. 62, the lumpen, proletarian Come Together and Borderline, the searing bluesmetal anthem Motor City Is Burning (which nicks a page from fellow Detroiter John Lee Hooker’s book) and I Want You Right Now, one of the first attempts to blend metal and funk. Guitarists Fred “Sonic” Smith and Wayne Kramer kick up a cataclysm while Dennis Thompson, one of the most exhilarating rock drummers ever, adds extra firepower to the river of molten sludge. Here’s a random torrent.
February 24, 2011 Posted by theamyb | lists, Music, music, concert, rock music | best albums, best albums all time, best albums alltime, best albums ever, best albums list, best albums lucid culture, best music, best music ever, best obscure albums, best obscure albums all time, best obscure albums alltime, best obscure albums ever, best rock albums, best rock albums all time, best rock albums alltime, best rock albums ever, best underrated albums, dennis thompson, detroit bands, fred sonic smith, greatest albums all time, greatest albums alltime, greatest albums ever, greatest obscure albums, greatest rock albums all time, greatest rock albums alltime, greatest rock albums ever, hard rock, heavy metal, MC5, mc5 kick out the jams, metal music, metal rock, most underrated albums, most underrated albums all time, Music, proto metal, proto punk, psychedelia, psychedelic music, psychedelic rock, rob tyner, stoner metal, stoner music, top albums all time, top albums alltime, top albums ever, wayne kramer | Leave a comment
Poobah’s Classic 1972 Stoner-Metal Debut Is Back in Print
In 1972, Poobah, a high school rock band from Youngstown, Ohio recorded Let Me In, a fuzzed-out stoner metal album that became a cult classic: copies of the original vinyl go for hundreds of dollars on the collector market. Little did teenage guitarist Jim Gustafson, bassist Phil Jones and drummer Glenn Wiseman know that they’d created a psychedelic, proto-metal masterpiece. Originally reissued in 1994 on a small, now defunct label, Ripple Music’s newly remastered re-release contains the original album’s seven tracks as well as twelve bonus cuts featuring additional band members (ten of the songs included on a limited-edition double gatefold black-and-white vinyl album). The obvious influence is Black Sabbath, right down to the catchy simplicity of the hooks, the way they’ll hang on a single chord for minutes on end, the heavy echo on the vocals, the fat midrange tone of the bass and Wiseman’s busy but absolutely brilliant drumming. Gustafson’s sunbaked, bluesy playing is shockingly terse, especially for this kind of music. As long and convoluted as some of these songs are, he doesn’t waste notes, tossing off one brief, incisive riff after another with a heavylidded leer.
The band’s signature song, Mr. Destroyer motors along on an unstoppable midtempo groove, Gustafson’s doubletracked solo phasing back and forth between channels, and a conga break with screams echoing in the background: Spinal Tap central! It’s quite a contrast with what follows it, the surprisingly gentle, folk-tinged ballad Enjoy What You Have, Wiseman’s amazing drums picking it up little by little. The slow ba-bump boogie Live to Work is a workingman’s anthem: “You know I can’t stand this hell.” Bowleen, the eeriest number here, has a Syd Barrett feel, the sample at the end providing an irresistibly funny answer to the question of what it’s about. The fifth track, Rock n Roll is unhinged Chuck Berry rock as Uriah Heep might have done it, except with better drums; the title cut is a 7-11 parking lot riff-rocker with a long In-A-Gadda-Da-Vida drum solo – all that’s missing is the crowd noise! – and a gleeful solo guitar break.
Most of the bonus tracks are strong as well. Make a Man Outta You, one of the few here that was previously issued, layers one delicious, reverb-drenched sheet of wild tremolo-picking on top of another. A one-chord stoner jam, Upside Down Highway has Gustafson’s guitar echoing around a catchy, circling bass riff, finally delivering a long, wild, Tony Iommi-style wah solo. The closest thing to Sabbath here is the hilarious Walk of the Bug: “When you’re asleep in your bed you’ll feel his legs on your head.” The bass walks on your face, the guitar injects the venom and it’s over. There’s also a couple of tasty bluesmetal instrumentals, a late MC5 style metal-pop number manufactured specifically for a car radio audience, and a lone attempt to weld funk to a blotto metal groove. The whole thing ranks with Flower Marching Band, the original Iron Maiden and Sir Lord Baltimore as one of the classics of early metal. And if you like these guys, you might want to check out their labelmates and early 70s contemporaries the JPT Scare Band, a Kansas City outfit who split their time between skin-peeling acid-metal and a more commercial Allman Bros.-style sound.
October 12, 2010 Posted by delarue | Uncategorized | 70s metal, acid rock, black sabbath, early heavy metal, early metal, first iron maiden, flower marching band, glenn wiseman, glenn wiseman drums, hard rock, heavy metal, heavy metal band, heavy metal music, iron maiden, jam band, jam rock, jim gustafson, jim gustafson guitar, jpt scare band, metal band, metal music, phil jones bass, poobah band, poobah band review, poobah let me in, poobah let me in reissue, poobah let me in review, proto metal, psychedelia, psychedelic band, psychedelic music, psychedelic rock, ripple music, seventies metal, sir lord baltimore, stoner metal, stoner music, tony iommi, youngstown bands | 4 Comments
Song of the Day 2/17/10
The best 666 songs of alltime countdown continues every day, all the way to #1. Wednesday’s song is #162:
Telephone – Ordinaire
The title is French for “cheap wine;” this is an unhinged, Middle Eastern flavored tribute to the joys of drinking and driving by the iconic French rockers. From the 1981 Au Coeur de la Nuit album; the link above is a live version that segues into one of their big early hits, la Bombe Humaine.
February 17, 2010 Posted by delarue | lists, Lists - Best of 2008 etc., Music, music, concert, rock music | best rock songs all time, best rock songs alltime, best rock songs ever, best songs all time, best songs ever, corinne marienneau, french bands, french rock, hard rock, jean-louis aubert, louis bertignac, Music, musique francaise, punk rock, richard kolinka, rock francais, rock music, Telephone Au Coeur de la Nuit, telephone la bombe humaine, telephone ordinaire | Leave a comment
Song of the Day 2/4/10
The best 666 songs of alltime countdown continues every day, all the way to #1. Thursday’s song is #175:
String Driven Thing – Starving in the Tropics
Labelmates of Van Der Graaf Generator, British folk/blues rockers String Driven Thing are best remembered for their 1972 cult album The Machine That Cried. This one’s a searing, bluesy eco-disaster anthem from the Keep Yer ‘And On It lp, 1975. If you can find a link to a digital recording (it was never reissued), let us know. Frontman/guitarist Chris Adams still maintains a myspace page for the band.
February 4, 2010 Posted by delarue | lists, Lists - Best of 2008 etc., Music, music, concert, rock music | 70s rock, best rock songs all time, best rock songs alltime, best rock songs ever, best songs all time, best songs ever, blues-rock, british bands, british rock, chris adams, chris adams string driven thing, folk rock, hard rock, keep yer and on it, machine that cried, machine that cried album, machine that cried lp, Music, rock music, seventies rock, starving in the tropics, String Driven Thing, van der graaf generator | Leave a comment
Song of the Day 7/1/09
Every day, our top 666 songs of alltime countdown gets one step closer to #1. Wednesday’s song is #392;
Telephone – Cendrillon
The title is French for “Cinderella.” This uncharacteristically quiet ballad from the 1982 Dure Limite lp was a huge hit for the French rockers, electric piano glimmering evilly behind Louis Bertignac’s elegaic lead guitar as frontman Jean-Louis Aubert matter-of-factly narrates her descent into drug abuse and death in the back of an ambulance. The link in the title above is the album version; here’s a tasty live take.
June 30, 2009 Posted by delarue | lists, Lists - Best of 2008 etc., Music, music, concert | 80s rock, best songs, best songs of alltime, Cendrillon chanson, Cendrillon song, chanson du jour, Dure Limite, Dure Limite album, Dure Limite disque, eighties rock, french bands, french rock, groupes rock francais, hard rock, jean-louis aubert, louis bertignac, meilleures chansons, rock francais, rock music, Song of the Day, Telephone band, top 666 songs of alltime | 1 Comment
Concert Review: Devi at Trash, Brooklyn NY 5/29/07
“I love New York!” exclaimed Devi frontwoman/guitarist Debra. “I’m from Wisconsin, where Friday nights the thing to do was go to Poppin’ Fresh Pies.
And eat pie.”
She and her power trio played with joy and abandon: it was as if they’d just been reprieved from a lifetime at the pie parlor. Tonight it was all about the songs. Maybe it was that Debra – like seemingly every singer in New York this week – had a bad case of allergies and didn’t feel like stretching out. For the most part, instead of getting all wild and psychedelic as they’re tending to do more these days, they hammered out one catchy powerpop number after another. Debra, one of the most exciting, original, virtuosic lead guitarists in rock, did stretch out one of their favorites for jamming, the edgy, anthemic When It Comes Down. First she launched into some blues, then some strategically placed feedback, then started feeling her way through the chorus. Like a cat looking around the house for food, she sniffed at her huge Marshall amp, brushed up against the drums and pawed at her effects pedals. Then, as if returning to a favorite spot by the window, she and the band went back into the song. Like the cat, the solo didn’t really go anywhere, but its insouciant grace was undeniably captivating.
Otherwise, it was nonstop energy, one song into another. They opened with the catchy riff-rocker Another Day and later did a growling, bouncy take on the old Del Shannon hit Runaway. Later, they played a couple of excellent new numbers: first the darkly gorgeous, minor-key, backbeat-driven Howl at the Moon, followed by the funky, sarcastic Miss Indispensable. On a couple of their songs, it was gratifying to see how much of a rapport has developed between band members. Debra led them in a call-and-response (could you imagine a band-du-jour like, say, the Killers playing off each others’ phrasing?), riffing on drummer John Hummel’s pounding tom-tom work as well as the fluid, upper-register melodicism of five-string bassist Dan Grennes.
Hummel’s drums kept scooching toward the front of the stage, which was a blessing in disguise since they were amped way too high in the mix, forcing him to hold back a little and this did a lot to bring the levels under control. While it would have been nice to have heard DeSalvo take a flying leap, swing out past the edge of the cliff and pull herself back with one hand, as she so often does, it was impressive to hear how strong her new songs are. Good to see this excellent, frequently exhilarating band getting some real momentum.
June 2, 2007 Posted by delarue | concert, Live Events, Music, music, concert, New York City, review, Reviews, rock music | best bands new york, best bands nyc, classic rock, concert, concert review, debra desalvo, devi band, devi debra singer, guitar goddess, hard rock, hoboken bands, indie rock, jam band, jamband, john hummel drums, power pop, power trio, powerpop, psychedelia, psychedelic music, psychedelic rock, review, rock music, trash bar brooklyn | 8 Comments
About
Welcome to Lucid Culture, a New York-based music blog active since 2007. You can scroll down for a brief history and explanation of what we do here. To help you get around this site, here are some links which will take you quickly to our most popular features:
If you’re wondering where all the rock music coverage here went, it’s moved to our sister blog New York Music Daily.
Click here for our front page, where you’ll find the ten most recent writeups.
Our exhaustive, constantly updated guide to over 200 New York City music venues
Our most popular music reviews since 2007
Our 1000 Best Albums of All Time countdown
A big hit in 2008-2009, the 666 Best Songs of All Time page
This link will take you directly to the most recently updated NYC Live Music Calendar, which has also migrated to New York Music Daily.
Our archives since day one
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ABOUT LUCID CULTURE
April, 2007 – Lucid Culture debuts as the online version of a somewhat notorious New York music and politics e-zine. After a brief flirtation with blogging about global politics, we begin covering the dark fringes of the New York rock scene that the indie rock blogosphere and the corporate media find too frightening, too smart or too unfashionable. “Great music that’s not trendy” becomes our mantra.
2008-2009 – jazz, classical and world music become an integral part of coverage here. Our 666 Best Songs of All Time list becomes a hit, as do our year-end lists for best songs, best albums and best New York area concerts.
2010 – Lucid Culture steps up coverage of jazz and classical while rock lingers behind.
2011 – one of Lucid Culture’s founding members creates New York Music Daily, a blog dedicated primarily to rock music coverage from a transgressive, oldschool New York point of view, with Lucid Culture continuing to cover music that’s typically more lucid and cultured.
2012-13 – Lucid Culture eases into its current role as New York Music Daily’s jazz and classical annex.
2014-18 – still going strong…thanks for stopping by!
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