Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 1/11/11

Tons of new stuff in the pipeline: Winter Jazzfest, gypsy music downtown and a great album by an Iraqi freedom fighter. In the meantime, as we do every day our 1000 best albums of all time countdown continues, all the way to #1. Tuesday’s is #749:

Immortal Technique – Revolutionary Vol. 2

Pretty much what you would expect from a lyrical genius with an awareness of the world around him. Immortal Technique gets universal props for his style, but nobody casts as wide a net and brings in so much knowledge. This is his 2003 response to 9/11 and the terror of the Bush regime. The Cause of Death is the most spot-on critique issued by any musician since that time, Freedom of Speech re-emphasizes the CIA-Bin Laden connection and Bush’s crackdown on human rights that followed, and Leaving the Past drives the point home yet again: “Humanity’s gone in a gravity bong done by a Democrat/Republican Cheech and Chong.” “Immortal Technique is poison to the Patriot Act,” he snarls on The Point of No Return, a crystal-clear portrait of a world gone forever. Peruvian Cocaine sympathetically explores the world of the terrorized peasants who make the stuff (Tech has no sympathy for the drug lords). The Message and the Money and Industrial Revolution are two of the funniest and most apt critiques of the music industry ever written; Crossing the Boundary equates cultural imperialism on the part of American multinationals with the corporate hijacking of rap. The 4th Branch is a slam at the corporate media; Harlem Streets and Internally Bleeding paint a surreal picture of the everyday horrorshow in impoverished America. Mumia Abu-Jamal also guests eloquently on a couple of tracks including Homeland and Hip-Hop: “Do you think duct tape and color codes will make you safer?” Is this the greatest rap album ever made? One of them, anyway. Here’s a random torrent.

January 11, 2011 Posted by | lists, Music, music, concert, rap music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

CD Review: Chang Jui-Chuan – Exodus: Retrospective and Prospective 1999-2009

Global hip-hop doesn’t get much better than this. Rapper/college professor Chang Jui-Chuan is a bonafide star of the hip-hop underground in his native Taiwan, and this collection – largely culled from a 2006 release – has him poised to cross over to an English-speaking audience. A gifted, frequently ferocious bilingual lyricist in his native language, Hokkien and also English, he delivers his English raps in a menacing, slurred Taiwanese-accented drawl. This is conscious hip-hop raised to a power: people have been executed for tackling the topics he addresses. He has little use for globalization:

You say free trade gets us out of poverty and hunger

Free trade saves my family from pistol triggers

Free trade assures good drugs for my son’s cancer

Then tell me why we’re dying faster than ever…

Exploitation disguised as freedom and democracy

Global corporations feed Third World Dictators

Paying less than one dollar per month for child workers…

He fearlessly takes the stand for dissidents who risk their lives around the globe, especially those who dare stand up to the mainland Chinese regime:

…when I’m placing an order on this free-speech website

It’s taken over by the interface in Chinese Simplified

Propaganda’s never simplified, can only be vandalized

I orchestrate lyrical drive-bys

The most potent lyric here is in Hokkien, titled Hey Kid, a scathing account of Chang Kai-shek’s invasion of Taiwan, the February 27, 1947 massacre of Taiwanese nationalist freedom fighters, and the subsequent terror that lasted decades and left tens of thousands of innocent civilians dead. He also addresses spiritual concerns without coming across as doctrinaire (he’s a Christian) and the need to preserve indigenous cultures in the face of western cultural imperialism. The backing tracks here deserve mention too because they’re excellent, ranging from spacy psychedelic funk, to roots reggae (Chang sings respectably well), to ominous, chromatically-charged funk-metal played by a live band rather than sampled. Fans of the best conscious American hip-hop acts: Immortal Technique, the Coup and Dead Prez are in for a treat here. Or maybe this guy can hook up with the Hsu-nami and we can get a real Taiwanese-American crossover.

November 13, 2009 Posted by | Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , , , | 6 Comments