Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Two Violins + Two Violas = Bliss From Jessica Pavone’s String Ensemble

A ubiquitous presence in the New York improvisational community before the lockdown, violist Jessica Pavone has been making alternately lyrical and bracingly acerbic music since the zeros. Her previous album with her String Ensemble was one of her her most minimalist releases to date: her new one, Lost Found – streaming at Bandcamp – is one of her most atmospheric. The lineup is slightly altered this time out, with Erica Dicker and Angela Morris on violins, Joanna Mattrey switched out for Abby Swidler on viola here alongside the bandleader.

The aptly titled first number, Rise & Fall is a spectral anthem, if such a thing can exist: a warmly shifting series of sustained tones and harmonies that move slowly from comfortable consonance, to more acerbic, and then back. With its almost imperceptibly rising and falling microtones, Nice and Easy is as enveloping as it is otherworldly: Pavone adds rhythmic gestures in places to shake things up.

Those long, sustained, bending tones shift a just a hair faster in Pros & Cons, for more of a siren or doppler effect, the quartet’s elegantly executed, glissandoing harmonies followed by a deliciously slashing interlude. They close the record with the hypnotic title track, violins and violas exchanging roles as the austere haze of microtones rises and eventually loops into a lullaby. Cocoon with this and bliss out.

February 8, 2021 Posted by | avant garde music, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , | Leave a comment

An Acerbic, Darkly Allusive New String Quartet Album and an Upper East Side Gig from Viola Titan Jessica Pavone

Jessica Pavone is one of this city’s most formidable violists. Her work as a bandleader spans from moody, allusive art-rock – her 2012 album Hope Dawson Is Missing is a classic of its kind – to the scary reaches of improvisation. Her latest release, Brick and Mortar, with her two-violin, two-viola String Ensemble is streaming at Bandcamp and arguably her most rapturously minimalist release yet. Her next New York gig is a solo set on Sept 15 at 7 PM with two other intense improvisers: pianist Cat Toren,and saxophonist Catherine Sikora at the ground-floor El Barrio Art Space at 215 E. 99th St (between Second and Third Ave.). It’s not clear what the order of the musicians is, but each is worth hearing; cover is $20.

The new album opens wth Hurtle and Hurdle, a catchy, hypnotic, acerbic tableau with long, resonant notes soaring and eventually hitting a series of wary cadenzas over a Philip Glass-like backdrop of echo phrases. The group are seamless to the point where it’s impossible to tell who’s playing what – Pavone and Joanna Mattrey on violas, Erica Dicker and Angela Morris on violins. They take it out with a strolling pizzicato riff.

With simple, acidically harmonic sustained tones over a pulsing, repetitive G note and a keening forest of variations, Lullaby and Goodnight is the album’s most minimalistic track. The players’ slow attack and subtly shaded echo effects are a cool enhancement: Glenn Branca’s symphonic work seems to be an influence. The drone picks up without the rhythm in the title cut, its layered shadings creating an effect like a parking lot full of cars with their horns all more or less stuck, combining to play a seventh chord. The punchline is too good to give away.

Sooner or Later is a diptych: a series of hypnotic, cell-like variations like Caroline Shaw through a funhouse mirror at halfspeed, then a surreal reel. The final number is By and Large, its fleeting echoes and doppler effects growing lusher and more disquieting as the individual voices close harmonies branch out. Play loud to max out the increasingly rich wash of overtones.

September 9, 2019 Posted by | avant garde music, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment