Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: The Jack Grace Band at Rodeo Bar, NYC 5/5/10

The first thing you notice when you see the Jack Grace Band up close is what a well-oiled machine they are – in both senses of the word. OK, maybe not everyone onstage last night was half in the bag, but they’d been on close to a 36-hour tear, nonstop, with appearances on the WPIX morning show and then a live performance on satellite radio, so with a long Cinco de Mayo evening ahead of them at Rodeo Bar, the tequila was flowing and a lot of it had made it to the stage by the time they started playing. The Jack Grace Band’s new album Drinking Songs for Lovers is just out, so ultimately it all made sense. “Everything seems so simple after three martinis” is Grace’s mantra, and the band played that song, a careening version of The Lonesome Entertainer, on album a noir-ish blues shuffle a la Tom Waits but this time out it was more Grateful Dead, except with a brief interlude into a perfectly executed, funky excerpt from Kurtis Blow’s The Breaks. Tequila, an older song from Jack Grace’s old jam band Steak, swung mightily along on a sunbaked minor-key hook, part bossa nova, part hallucinatory Tex-Mex anthem.

Jack [scrunching his face into a tortured scowl]: Would you rather be dead?
Bass player Daria Grace: [completely deadpan]: No.

It’s kind of sweet how he gives his wife the best of the punch lines every time. They’d started, appropriately, with Morning Margaritas, the twangy, retro 60s country song that opens the album, everybody from the horn section to the pedal steel player stepping out, boisterous and tequila-fueled, so the sound guy could get the levels right. Daria swooped and dove on her gorgeous hollowbody bass on a more 70s, outlaw country style tune from the album, True Tonight. They jammed on Jambalaya, took a stab at the Mexican Hat Dance (Jack wanted to keep going but the band wouldn’t let him), then piano player Bill Malchow sang one. At the end, Jack put his guitar down and the piano and rhythm section playing a pretty generic power ballad melody. Which morphed into the early 70s Neil Diamond hit I Am, I Said. Jack got up on a chair, pondered the highly vandalized stuffed bison head coming out of the wall at the edge of the stage and then decided against doing something to it (that’s a prop for another song of his). Then when he got to the line in the song where no one heard him, not even the chair, he got off the chair and raised it high. And then went into the audience, caught a table full of diners completely off guard, sat down with them and then serenaded them. With the chair. Meanwhile, the band didn’t blink an eyelash. Pretty punk rock for a country band. And that was just the first set.

The Jack Grace Band continues to celebrate the release of the new album with shows at Hill Country tonight at 9, Barbes at 10 tomorrow (Friday the 7th), and a doublebill with the equally devious Luther Wright and the Wrongs at the Rodeo on the 11th.

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May 6, 2010 Posted by | concert, country music, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

The Jack Grace Band Live at Rodeo Bar, NYC 4/6/06

The Jack Grace Band is at Rodeo Bar every Sunday this month at about 9:15, and this is a residency you should see. As the Dog Show said, Saturday nights are for amateurs, so it follows that Sundays are for the pros. Seeing the baritone country crooner/guitarist and his cohorts onstage with such a small crowd in the house was bizarre: in fact, being able to see everybody in the band without standing on tiptoe behind a bunch of people was weird. But good. This residency is born of tragedy: Grace is trying to put together a new sound without the services of his longtime lead player, lapsteel genius Drew Glackin, whose sudden, unexpected death at a young age last January caught everyone he played with (and that’s a LOT of New York musicians) completely off guard. But Grace is an excellent lead guitarist, with a terse, incisive, bluesy style, and armed with his new Telecaster, he let loose a lot of searing, even raging solos, getting the new axe to scream like his trusty old hollowbody Gibson can’t. It’s clear that this is somebody who’s still furious about losing his good friend and bandmate (Glackin had a rare thyroid condition that, if he’d had health insurance, would almost surely have been diagnosed long before it killed him). Although the anger doesn’t make it into Grace’s voice: his smooth, soulful delivery was as sly as ever, as he and the band kicked off the set with a new song, the swinging drunk-driving anthem The Worst Truck Driver in the World, a dead ringer for Junior Brown at his most entertaining.

Grace didn’t have his usual bassist, his wife Daria with him onstage tonight, but the sub guy held up his end admirably (drummer Russ Meissner, a jazzcat playing country music, made it easy). Piano player Bill Malchow added a New Orleans blues feel, especially on the darker, minor-key, somewhat Tom Waits-inflected numbers, and sang in a Dr. John-style N’awlins drawl when Grace gave him a lead vocal.

The band mixed upbeat party anthems including This Hangover Ain’t Mine and 7:30 in the Afternoon (a wise, knowing guide to how to kick a really bad hangover: sleep!) with several eerie, bluesy tunes including Kick off Your Shoes Moonshine, an older song that Grace has yet to record. Grace’s lyrics are craftsmanlike and imbued with great wit. He knows that the best country music is anything but unsophisticated: in the pre-rock era, if you wanted really good lyrics, you either had to listen to blues or “hillbilly music.” This sophistication came to the forefront on the dark, haunting, minor-key Cry, from Grace’s most recent album The Martini Cowboy, which begins as the blissed-out, wired narrator offers a girl coke, knowing fully well that the blow will only keep the angst away for so long.

Late in their first set, they segued out of a song into a long, meandering, somewhat swampy interlude that could have been vintage Little Feat. And then they played (Let Your) Mind Do the Talking. It’s Grace’s best song, a haunting, backbeat-driven blues tune about a drunk slowly losing it, and his version tonight was nothing short of transcendent. “I got a dream for a dog but it always needs walking/When you’ve got nothing to lose you let your mind do the talking,” Grace intoned ominously, building to a crescendo at the end with a screaming, noisy guitar solo while the piano and drums pounded out the beat. Grace and his band have a pretty Herculean live schedule, so you always have several chances a month to see them, but if this residency is anything like tonight’s show, it could be something special.

By the way, in case there are any deep-fried pickle enthusiasts out there, Rodeo Bar is one of the few places in town (other than, say, some stand at the San Gennaro festival) that sells them. They come with a sour cream and onion dipping sauce – and if you ask, the waiter will bring you some freshly chopped jalapenos as well – and are enthusiastically recommended.

April 7, 2008 Posted by | concert, country music, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , , , , | Leave a comment