Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review from the Archives: Jimmy Rogers at Chicago Blues, NYC 3/9/95

[Editor’s note: from time to time we delve into the archives if we don’t have something brand-new to keep the front page fresh. Consider this an obscure alternative to “this date in rock – or in this case blues – history.”]

The band went on immediately at showtime, and they were good. The new keyboardist was the star of the show and took most of the solos. The white guy playing rhythm guitar had some unfortunate heavy metal tendencies but his Gibson’s sweet, sustained tone took the edge off. After the band had run through a few standards, Jimmy Rogers came up with his big, hollowbody Gibson and tentatively launched into Rock This House. He’s an uncommonly subtle, urbane player, fond of big, sustained jazzy chords: he doesn’t bear much resemblance to the guy who provided all that deceptively simple chordal work behind Muddy Waters back in the fifties. He rarely soloed, once trading off a few licks with the keyboardist, but that’s about it. The harp player who marred Rogers’ previous New York show at Downtime with his ridiculous ostentation was wisely kept in the background this time; the keyboardist stepped all over him every time he tried to solo. If that’s what it takes – other than outright firing the guy – to keep him in check, that’s what the band needs to do. After Rogers had been up there about 35 minutes, they decided to take a “break” which at this venue can mean a couple of hours, so it’s anybody’s guess if they ever came back or if there was anyone left at the bar when they did.

[Postscript: Rogers’ performance at this show was vital and energetic, at least as energetic as the relatively phleghmatic guitarist ever got; his death about about two years later came as quite a shock]

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March 9, 2008 Posted by | blues music, concert, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , | Leave a comment