Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The Top 20 New York Area Concerts of 2007

We’ve done the top 100 songs of 2007, and the top 20 albums of the year, and now it’s time for what we like best, the live stuff. Since any attempt to rank these shows by sheer exhilaration factor would an exercise in futility, they’re listed chronologically. If the show you saw, or the show you played isn’t here, that doesn’t mean it was bad, that just means that in all likelihood we didn’t see it. There are more live gigs in New York in one evening than we saw all year long, and we were trying hard to go out as much as possible and to see the most diverse range of stuff we could, for the benefit of all you readers. Also keep in mind that a pandora’s box of factors that have nothing to do with a band or artists’s performance come into play here, from the sound system to the general comfort level of the venue to how well a club treats the musicians onstage. As with our other year-end lists, take this with a grain of salt: consider it a sounding of sorts, a general indication of what was happening last year in one small demimonde.

Mary Lee’s Corvette at Rodeo Bar, 1/17/07
Two sets of old rarities and current classics from the greatest rock singer of our generation, and a scorching four-guitar edition of her band.

The Avengers at Bowery Ballrooom, 2/3/07
Classic punk done by the most crucial half of the original band (frontwoman Penelope Houston and guitarist Greg Ingraham), less of a nostalgia show than a clinic in good fun.

Justin Bischof at the organ at St. Thomas Church, 3/11/07
The scheduled organist cancelled at the last minute, so the former St. Thomas assistant organist did improvisations, including a symphony that he made up on the spot. Nothing short of phenomenal.

Big Lazy at Luna, 5/20/07
The cd release show for their latest album Postcards from X saw the band thrashing through the instrumentals on their most diverse album to date with predictably fiery, macabre results.

Melomane at Hank’s, 6/7/07
The art-rock band at their majestic, epic best, sounding crystal-clear through the excellent PA at this Brooklyn country music bar

LJ Murphy at the Knitting Factory, 6/12/07
The rock world’s reigning lyrical genius played a typically passionate, fiery show backed by a great Rickenbacker guitarist and rhythm section.

System Noise at Broadway and West 3rd St., 6/21/07
The high point of the first-ever Make Music New York citywide outdoor music festival – that we were able to see before the rain started – was these scorching female-fronted art/noise/punk rockers.

The Mingus Big Band and Orchestra at Damrosch Park, 8/26/07
The grand finale of the year’s Lincoln Center Out of Doors festival was the single best show we saw all year, no contest. A dark, stormy, virtuosic and breathtaking performance by a crowd of great players who realize that Mingus might be the greatest American composer ever.

Amanda Thorpe, Randi Russo and Ninth House at Hank’s, 8/26/07
The haunting Britfolk chanteuse followed by the equally haunting, chromatically inclined indie rock siren, and then the Nashville gothic rockers who at that point had just discovered improvisation, and were having a great time with it.

Chicha Libre at Barbes, 9/29/07
A wild, danceable, completely psychedelic performance of brilliant obscurities from the Peruvian Amazon circa 1972, as well as some originals that sounded completely authentic

Moisturizer at Black Betty, 10/10/07
Two sweaty, bacchanalian sets by the funnest instrumental band on the planet.

Mark Steiner at Otto’s, 10/16/07
He may have played his one New York show of the entire year with a pickup band, but the chemistry of the group was adrenalizingly contagious to the point where the club’s dodgy sound became a moot point.

Golem and Rasputina at the Music Hall of Williamsburg on Halloween
Deliriously danceable, oldtime orthodox Jewish dance music followed by a riveting show by the ever-darker, apocalyptically-minded chamber-rock trio.

Dina Dean at Rockwood Music Hall, 11/8/07
She’s always been an A-list tunesmith, but having a band behind her to passionately deliver her beautifully soulful songs is one of the best developments we’ve seen lately.

The Greenwich Village Orchestra Plays Rimsky-Korsakov, Bruch, Lam and Richard Strauss at Washington Irving HS Auditorium, 11/18/07
A sweeping, majestic, virtuosic show by a world-class orchestra bringing out all the earthy danceability of Rimsky-Korsakov’s Easter Overture, the longing and anguish of Bruch’s Kol Nidre, and the fascinating timbres of a world premiere by Angel Lam. And then they pulled out all the stops for Strauss’ Death and Transfiguration. And made it indelibly their own.

Paula Carino, Tom Warnick & World’s Fair and Erica Smith & the 99 Cent Dreams at the Parkside, 11/28/07
The brilliantly lyrical-minded, very funny Carino, the even funnier and inspiring Warnick and the ever-more-captivating, jazz-minded Smith played what was probably the best triple bill anywhere in New York last year.

The Inbreeds at Banjo Jim’s, 12/9/07
In a hilarious, somewhat stagy show that really ought to be brought to Broadway, the world’s funniest country parody band made fun of every conceivable style of country music.

John Scott Plays The Birth of Our Lord by Messiaen at St. Thomas Church, 12/20/07
Attuned to every emotion in this complex, absolutely haunting suite, Scott brought each and every one of them to life with verve and passion.

James Apollo at Banjo Jim’s, 12/20/07
The southwestern gothic songwriter impressed with a dusty, hypnotic set of one good song after another, not a single clunker. That doesn’t happen often.

Rachelle Garniez at Joe’s Pub, 12/22/07
The cd release for her new one, Melusine Years was a dark, terse yet devastatingly funny and entertaining affair. Just like the album

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January 14, 2008 Posted by | classical music, concert, jazz, Lists - Best of 2008 etc., Live Events, Music, music, concert, New York City, rock music, world music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Concert Review: John Scott Plays Messiaen at St. Thomas Church, NYC 12/20/07

This review isn’t meant to be flippant: John Scott is a great artist, and he put on a masterful performance. Yet, it’s a wonder that at some point the church fathers didn’t convene and pose the obvious question: could it be possible that Messiaen was rooting for the other team? Note that the piece Scott played tonight is titled La Nativite du Seigneur (The Birth of the Lord, as opposed to The Birth of Christ). Could it be another Lord, one somewhat darker, that Messiaen was alluding to? This macabre, nine-part suite sounds nothing remotely like the typical Christmastime fare heard in churches across this city, and Scott was brave to play it. It would make a great soundtrack to a horror film. But not a Chucky movie – it would work best with something from Messiaen’s era, directed by Fritz Lang and starring Peter Lorre, perhaps. Satanists burn churches when what they should really be doing is sitting in the front row, rapt, as The Birth of the Lord roars from the pipes of the organ.

To add yet another element of the macabre, sirens wailed down Fifth Avenue during the two opening segments. As robustly constructed and insulated from outside noise as the edifice is, it was impossible not to hear them. If anyone had the presence of mind to record the performance, it could be astounding, a sort of accidental, highbrow counterpart to Simon and Garfunkel’s version of Silent Night, inevitably rooted in the here and now.

Scott is one of the world’s premier organists, an artist with an almost telepathic intuition for what he plays. La Natitive du Seigneur is not particularly melodic and quite difficult, yet there is substantial wit in this work and Scott treated the standing-room-only crowd to all of it. Olivier Messiaen was a strange bird, obsessed with the sounds of the avian world, and the greater part of his oeuvre is naturalistic to the point of being fussy and contrived. His organ works, especially the immortal L’Apparition de l’Eglise Eternelle (The Dawn of the Eternal Church) are anything but. Scott zeroed in on several themes that recur throughout the suite, including a fast upper-register flourish that he tossed off with unabashed glee, and brought out every bit of drama in an ominous, low-register pedal figure followed by a tritone (the so-called “devil’s chord”). The piece has two false endings, and Scott’s crescendos up to them were inexorably good. The final part of the suite ends almost as a mocking parody of the conclusion to Bach’s famous Toccata in D, this time a series of three rather than five chords, the last being a sustained major sixth that rattled the walls, ending the piece on a disquetingly unresolved note and earning Scott two standing ovations.

December 23, 2007 Posted by | classical music, concert, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , , , , | 1 Comment