Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Top Ten Songs of the Week 9/20/10

This is sort of our weekly, Kasey Kasem-inspired luddite DIY version of a podcast. Every week, we try to mix it up, offer a little something for everyone: sad songs, funny songs, upbeat songs, quieter stuff, you name it. We’ve designed this as something you can do on your lunch break if you work at a computer (and you have headphones – your boss won’t approve of a lot of this stuff). If you don’t like one of these songs, you can always go on to the next one: every link here (except for #1 this week) will take you to each individual song. As always, the #1 song here will appear on our Best Songs of 2010 list at the end of the year.

1. Klezwoods – Cuperlika

Centerpiece of the Balkan/klezmer/Middle Eastern band’s titanicallly good new cd Oy Yeah. Put it up on the web somewhere guys, you’ll sell a lot more records!

2. Serena Jost – Stay

Characteristically stark and compelling solo cello art-rock song from her forthcoming cd.

3. Band of Outsiders – Graveyard

Absolutely off the hook post-Velvets guitar madness, live at the Parkside this year. They’re at Bowery Electric on 9/23 at 10 opening for Richard Lloyd.

4. Ninth House – Down Beneath

Frontman Mark Sinnis was making this video in a cemetery in upstate New York when he noticed that the seemingly random grave he’d chosen to lie on belonged to one Mary Ann Larson, who died on Sinnis’ birthday in 1853. Coincidence? The band play the cd release show for their new one on 9/24 at at UC 87 Lounge, 87 Ludlow St. at 11.

5. Amy Bezunartea – Doubles

Hang with this – it’s worth your 3 minutes. Not your average girl with acoustic guitar, described by her label (Jennifer O’Connor’s project Kiam) as “kind of Joni meets Magnetic Fields” but better. Free download.

6. Zikrayat – Ish-Showq Mihayyarni

Classic obscure 50s Egyptian film music from the movie ‘Aziza’ starring Naima Akif, live at Galapagos last year. The song starts about 1:20 into the clip. They’re at Moustache (Lex and 102nd) at 8 PM on 9/24.

7. The Poludaktulos Orchestra – Rajkos

Brass band intensity – the missing link between Greece and Serbia, with Klezwoods’ amazing guitarist.

8. Gertrude Michael – Sweet Marijuana

Via night of the purple moon – precode movie music from 1934.

9. Amanda Thorpe – River Song

The dodgy sound reflects the crappy venue this was recorded at, but Thorpe’s voice transcends it – a classic that sounds as good as it did a couple of years ago.

10. Los Incas Modernos – Terremoto

An early Peruvian surf band – you can get lost in this stuff on youtube.

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September 21, 2010 Posted by | funk music, latin music, lists, middle eastern music, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Klezwoods Romp Through the Dark Corners of Eastern European Melody

Peter Jaques of Brass Menazeri describes klezmer as a “gateway drug” to the music of Eastern Europe. The same could be said for violinist Joe Kessler’s band Klezwoods,since that’s his background. Their debut album may be classified as klezmer, and many of its most exhilarating moments are on its Jewish songs, but the material here spans the entirety of what used to be the Ottoman Empire. Basically, it’s haunting minor-key dance music with Middle Eastern, Mediterranean and occasional latin tinges, and it pushes the envelope, its jazz-influenced, playful arrangements utilizing the whole band and giving them a richer, fuller sound than it would seem their nine members could create. The band is colossally good: Sam Dechenne on trumpet, Jim Gray on tuba, Jeremy Gustin on drums, Greg Loughman on bass, Michael McLaughlin (of Naftule’s Dream) on accordion, Brian O’Neill on percussion, Alec Spiegelman (of Miss Tess’ band the Bon Temps Parade) on clarinet and sax and Tev Stevig on electric guitar.

The opening track, a Yemenite Jewish number that Kessler learned from his father Jack (a highly regarded cantor), takes on a lush majesty, plaintive clarinet contrasting with muted trumpet, distant accordion and sweeping violin. The tricky Bulgarian dance Gankina Oro has the first of several bracingly rippling guitar solos by Stevig, this one sounding like a bouzouki but with better sustain. A Turkish folk melody, Bahar Dansi pulses along on a reggaeish beat, a playfully warped sax solo kicking off a boisterous game of hot potato between seemingly everybody in the band. They follow that with a somewhat deadpan, methodical take of Mache Teynista (The Mother-in-Law Dance), blippy tuba under tense, staccato accordion.

The highlight of the album is the slinky, hypnotic, absolutely gorgeous Cuperlika, from Macedonia, darkly pointillistic guitar giving way to the violin, accordion and finally a powerful, epic crescendo. Hey Lady sets levantine violin to a jaunty, altered tango beat with spiraling jazz guitar and a long, adrenalizing crescendo. Stevig takes his most intense solo of the night as the band vamps behind him on the Middle Eastern tune Nassam Aleyna. Syrtos is a Greek number which actually sounds more like traditional klezmer than anything else here other than the romping medley of hasidic dances that closes the album. And there’s also Giant Jew, a tongue-in-cheek klezmer take on Coltrane’s Giant Steps, Loughman’s solo bass tiptoeing deviously around the theme. The chemistry between band members makes Kessler’s split-second choreography work perfectly: as it should, considering how much fun this band is obviously having. The klezmer crowd will love this, as will anyone with a fondness for the dark, otherworldly singalong melodies and tricky rhythms of Eastern Europe. It’s out now on Either/Orchestra’s upstart label Accurate Records. Boston area fans can enjoy their cd release show on October 4 at Atwoods, 877 Cambridge St. in Cambridge.

September 17, 2010 Posted by | folk music, middle eastern music, Music, review, Reviews, world music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment