Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 9/3/11

This coming weekend is our last blowout of the year. We realize that all the time we’ve spent on the road this year, coupled with starting a brand-new blog to catch some of the spillover from this one, would take its toll on our daily coverage for awhile, and we apologize. More of the usual reviews and concerts coming next week. Til then, every day, pretty much that is, our 1000 best albums of all time countdown continues all the way to #1. Saturday’s album is #514:

Motorhead – No Sleep Til Hammersmith

How does Motorhead manage to sound so titanic with only one guitarist? Lemmy’s wall-of-sound bass chords. He plays bass like a guitarist, which enables whoever’s on guitar – in this case, Fast Eddie Clarke, in his last stint in the classic original lineup – to take off and go way, way out into the bluesmetal ionosphere as much as he wants. This raw, cheaply produced but intensely adrenalinized 1981 live set – which went to #1 on the British charts – includes the longer anthems like Capricorn and Bomber that the band was beginning to introduce alongside their more punk numbers like their signature song, Stay Clean (what a joke that title is), The Hammer, Overkill and of course Ace of Spades. The best track is actually a mammoth version of We Are the Road Crew, the irresistibly catchy tribute to the guys who lug all the gear and never get any credit; the band also tackle a cover of Born to Lose and actually avoid embarrassing themselves. Why’d we choose this one? Only because everybody else seems to choose Ace of Spades. Here’s a random torrent.

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September 2, 2011 Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Seven Sick Inches of Mighty High and Stone Axe

“Brooklyn’s #1 regressive rockers,” Mighty High have a brand-new split 7″ with fellow 70s metalheads Stone Axe and it’s a blast of skunky hydroponic smoke, perfect for dropping on what’s left of your brain. It’s impossible not to crack an illegal smile when you hear this. Metal Damage by Stone Axe sets Drew Brinkerhoff’s woozy/silly David Lee Roth-ish vocals over your basic mid-70s riffage: Kiss might have sounded this good if they’d ever learned how to play their instruments. A smoldering cherry of a guitar solo turns into a twin solo – Hotel California, here we come! Stone Axe are actually a much more diverse band than this would indicate, in fact one of the best retro metal acts around, with a new album due out sometime in the fall.

Mighty High’s Don’t Panic, It’s Organic is classic – there’s nobody better at making fun of wretched metal excess. This is a fast number, Aerosmith’s Mama Kin as Motorhead might have done it. When the lead guitar blurts out of the break before the last verse like a belch that couldn’t be contained, it’s priceless. And of course you gotta have a pickslide! Sweetest thing about this is that it’s on vinyl, with all the low end and sonic yumminess you can’t get from a cd or mp3. Scheduled for release in July at independent stores who have the good taste (well, sort of) to carry music like this, it’ll also be available from Mighty High, Stone Axe (currently on west coast tour, where the single is already onsale) and from Ripple Music, who are already taking pre-orders.

June 23, 2010 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments