Vespertina Kills the Lights on the Bowery
In their New York debut at Bowery Poetry Club last night, Vespertina took the stage late. Was there an equipment malfunction? No, their string quartet were busy putting on their masks: evil, feline, woodland sprite faces. Frontwoman Lorrie Doriza went without one, as did her collaborator, a producer who goes by the name of Stoupe (from brilliant, socially aware hip-hop group Jedi Mind Tricks), standing to her left running ominous, lushly orchestrated backing tracks that sounded like something off a Wu-tang record circa 1996. There is no band in the world who sound anything like them, nor was there any respite from the intensity in their 45 minutes onstage. Doriza has one of those voices that comes along every ten years or so: from the point of view of someone who saw Neko Case in 1999 and Amanda Palmer a year later, she’s in the same league. There are other singers who have an equally impressive range, or an upper register just as powerful, but the most impressive thing about what she did is that she didn’t lapse into a single cliche all night. As the strings and the loops blended into a horror-film backdrop, the gleeful menace, and wounded angst, and rage, and sultriness in Doriza’s voice was so real it was scary. If those are characters she plays, she owns them.
Those girls are tortured. They want one thing, and that’s escape, beginning with the Girl in the Basement, the twisted waltz (and first single off the band’s new album The Waiting Wolf) that opened the show. That set the stage for the rest of the set. The only respite from the macabre was the closing number, a lushly arranged goodnight song that wouldn’t be out of place in the Abby Travis catalog, which relented just a little. Otherwise, the minor-key menace would not let up, and they managed to maintain the suspense because Doriza wouldn’t go completely over the top. When finally, finally, she let out a scream, it was a little one. Of course the laptop guy looped it and sent it back into the mix, echoing over and over – but in the distance, which made it all the more disturbing. One of the early songs in the set began like an aria, but quickly backed off. “Take me out,” Doriza implored – not on a date, one assumes. “She’ll be knocking down your door, burning down your home…nothing like a woman scorned,” she sang coldbloodedly on a tango-tinged song a bit later on.
The next number – like most of them, set to a prerecorded trip-hop beat – began with “You’ve been having trouble sleeping” and by the second verse it was “You’re having trouble breathing.” After that, the band got all atmospheric and trippy, slowly emerging from the abyss into a stately 6/8 anthem: “I’m not stupid – I just don’t care,” Doriza sang, desperate yet nonchalant. “You can’t escape me,” was the next song’s mantra, followed by “I’m running out of patience.” During the early part of the show, the string arrangements were too low in the mix; when they came up about a third of the way into the show, it was obvious how they’d been assembled to provide an artful lead track of sorts over the stuff that was in the can, which the ensemble delivered seamlessly yet emphatically beneath Doriza’s wounded wail. Count this as one of the best concerts of 2011, hands down – if the album is anything like this, it must be amazing. They’re playing the one town on Long Island that suits them best – Amityville – on May 29 at a place called Ollie’s Point.
Top Ten Songs of the Week 3/9/09
We do this every Tuesday, in the tradition of Kasey Kasem for the acts we’ll probably never see, or didn’t get the chance to review when they were in town, or just discovered somewhere because they’re cool or they’re funny, or just reviewed and can’t stop listening to them. Enjoy. All the links below will either take you to the song or to the band’s site.
1. The Oxygen Ponies – Love Yr Way
I sold my soul for education
Every day I pay the debt
My entire generation
Better find a tourniquet…
When they hang this message bringer
Blood will rain down through the floor
Opening cut on the long-awaited Harmony Handgrenade album, coming in May.
2. Escarioka – La Nueva Era
Fast, furious, spooky ska en Espanol sounds like Maldita circa 1995! They’re doing a benefit on 3/21 at 7 PM at Revolution Books 146 W. 26th between 6th and 7th Ave.
3. Lorrie Doriza – Girl in the Basement
Noir cabaret with a touch of Kate Bush and a little gospel in the voice.
4. Graham Bonnet – Whisper in the Night
This histrionic bellower used to front wanky late 70s metal acts like Rainbow and the Michael Schenker Group. Believe it or not, this is a youtube clip of an actually serviceable cover of the classic, haunting Roy Wood song from ELO’s first album. Who knew he had it in him.
5. The War on Drugs – A Needle in Your Eye 16
Philly band. This song has an anthemic nuevo Dylan/Byrds feel – imagine if Simon Joyner could sing. They’re at Union Hall on 3/30.
6. Jonathan Coulton – Tom Cruise Crazy
A song that needed to be written. He’s at Symphony Space on 3/27 at 9ish.
7. Mames Babaganush – Kojak Cecek
The Copenhagen klezmer rockers’ motto is “klezmer killed the radio star.” This wild Balkan instrumental has a delirious Gogol Bordello feel to it.
8. Wheeler’s Cloud – It’s a Fact Jack
Steely Dan ripoff – funny – right down to the percussion.
9. I’ll Be John Brown – Cover Song
This is sort of Golden Shower of Hits for country bands. They’re at Ace of Clubs on 3/26.
10. Des Roar – The Watchers
They nick the classic blues Baby Please Don’t Go and turn it into evil garage rock. And here’s a sweet live clip for their classic Ted Bundy Was a Ladies Man. The band is at Vanishing Point on 5/2.
Lucid Culture 