The Brooklyn What Runs for Brooklyn Borough President
With election day 2009 approaching, and no viable option on the ballot for those who are dissatisfied with Marty Markowitz, The Brooklyn What wishes to make formal its write-in campaign for the office of Borough President of Brooklyn, NY.
The local, Brooklyn raised punk rock band has been running informally since summer 2007, when lead singer Jamie Frey and guitarist Evan O’Donnell encountered current Brooklyn borough president Marty Markowitz at a concert in Coney Island, and informed him that they were not interested in the planned Nets arena in Prospect Heights. “Marty took one look at our shirtless, sweaty, hairy bodies and told us to ‘move out’.” Recalls O’Donnell. “From then on, it was war.” The group titled its first album, released November 28th, 2008 on Pozar Records “The Brooklyn What for Borough President” and Frey and O’Donnell have been heckling Markowitz at public events ever since.
The Brooklyn What’s Top Five Reasons not to vote for Marty:
- The Proposed Atlantic Yards Project, which illegally uses eminent domain to give land to a private developer for a fraction of its valu, in order to build a basketball arena and several high rise condo buildings in the middle of prospect heights.
- Marty is Corrupt. The New York Post reported that Markowitz has steered nearly $700,000 in no bid contracts to his personal non-profit, which has also been recipient of $1 million in contributions from who else? Bruce Ratner, the Atlantic Yards developer
- Marty knocked his only democratic challenger off the ballot.Thanks for the democracy, Marty!
- Marty Endorses Bloomberg. Bloomberg has made living in this city without a million dollar salary nearly impossible.
- Marty is Manhattan-izing Brooklyn. Skyscrapers, exorbitant rents, local treasures (Coney Island) turned into tourist traps, sound familiar?
Bring the real Brooklyn back!
The Brooklyn What are a local band, formed in the basement of lead singer Jamie Frey’s parents house. The group has been playing raw, loud, authentic NYC rock & roll to packed, sweaty rooms of New York’s youth since 2006, at venues such as Freddy’s Bar, Don Pedro’s, Trash Bar, Mehanata, and many others across the city. The group’s first album has been hailed as a cult classic.
The Brooklyn What are running for office because they envision a Brooklyn that belongs to everyone, regardless of paycheck size, with room for the diversity of culture that makes Brooklyn truly great. The group does not feel that the places and people that we all love so much need to be replaced with shinier, more expensive versions of themselves, stripped of all history and feeling. Brooklyn the place is good enough as it is. What the borough really needs is affordable housing, decent jobs at decent wages that last, real options for the kids growing up in this rapidly gentrifying city. The Brooklyn What endorses the UNITY plan for the Atlantic Yards,
If elected, the Brooklyn What promises to rezone all newly built condos and buildable lots not used as community spaces for affordable housing, ban the opening of any more fancy coffee shops or clothing boutiques in working class neighborhoods, create community health and cultural centers throughout the borough, push for a full audit of the MTA, and place the lead perpetrators of the glass condo plague behind bars.
The Brooklyn What can be found at Bar Matchless on November 14th, and Trash Bar on November 20th for further discussion. For more information visit the Brooklyn What home page, the band’s myspace, their Pozar Records page or email thebrooklynwhat [at] gmail.com.
Concert Review: Hippiefest at Asser Levy Park, Brooklyn NY 7/26/07
Old hippies tend to skew hard in one of two directions, either totally inspiring or completely pathetic. Think back to the most recent antiwar protest you attended, and who was doing most of the heavy lifting, and who came out in full force: that segment of the demographic is clearly still firing on all cylinders, role models for all of us.
Then there’s the wrinkly, potbellied element lost in the ozone of whatever residual chemicals remain from all the groovy lids and trips they undoubtedly wish they could remember. If they only could remember what it’s like to remember. That element doesn’t come out much but usually trickles out for shows like this one. But not tonight. This free Thursday summertime outdoor concert series has a smalltown vibe, local merchants taking the stage to hawk their wares, the wide expanse of lawn taken up mostly by what’s left of the indigenous white blue-collar community here, local celebrity and longtime New York dj Cousin Brucie Morrow serving as master of ceremonies tonight.
We got there as former Wings guitarist Denny Laine, his voice shot, was wrapping up his set. He and his generic backing band phoned in Go Now (the single he sang with the Moody Blues before he left the band and they got really good), and the edited, single version of Band on the Run, complete with cheesy synthesizer. After what seemed an interminable break, Cousin Brucie going on and on about not much of anything, Melanie took the stage, backed by a young guitarist who may have been a family member: the vocals weren’t coming through very clearly at this point, so it was hard to understand what anyone, Cousin Brucie included, was saying.
While it obviously took Melanie considerable determination to drive down from Brooklin, Maine, past the Whitestone Bridge where she’d burst into tears (she’s from Queens: can you think of any other city, Paris included, that evokes such powerful nostalgia for returnees?), to play the longest set by anyone we saw here tonight, she really shouldn’t have been up there. Her voice is completely gone, and to make matters worse, she tried to hit all the high notes. Watching her struggle and miss the mark every time was viscerally painful. She’s a perfectly adequate acoustic guitarist: why she didn’t capo up her guitar and transpose the songs to a lower key is a mystery. When she did the obligatory version of Brand New Key, she made it abundantly clear that it was not what she wanted to be remembered for, telling the audience how she’d originally conceived of it as a roughhewn, Leon Redbone-style song, blaming her producer for making it fluffy: “Here I am, with silver hair and what am I doing? Cute!” she railed. Though she went out of her way to make it clear that she’d always seen herself as a socially conscious songwriter (which she was), tonight she did the hits, ending with Lay Down, which dissolved in a mess.
Country Joe McDonald was next, also solo acoustic, and got all of three songs. “Gimme an F,” he joked, then did some nice fingerpicking on an excerpt from the 1967 Country Joe & the Fish psychedelic classic Bass Strings. Then he launched into a fiery, sarcastic new song called Support the Troops. “Draft dodging chickenhawk son of a Bush,” he spat, and any preconceptions about this part of town being redneck Rudy Mussolini territory went out the window. The crowd loved it. When McDonald hit the second chorus, “son of a Bush” became “sonofabitch,” undoubtedly the nastiest word ever to resound from the loudspeakers here, and the crowd was completely energized for the first time tonight. McDonald followed with another recent number, a sea chantey about saving sea creatures. And then he was done. When Cousin Brucie returned to the stage, it turned out that he’s also against the Iraq war. And that Brooklyn Borough President Marty Markowitz (a craven shill for luxury housing developers) wanted to hear Country Joe do the Fish Cheer! Cousin Brucie always came across as a man of the people, but Markowitz? A complete surprise.
Finally, the Zombies took the stage, just singer Colin Blunstone and keyboardist Rod Argent left from the original band, joined by their very first bass player (who’d returned to the fold in 1969 in Argent’s self-titled project), along with a decent drummer who didn’t overplay and a heavy metal guitarist who unfortunately did. Though it was clear to everyone, Cousin Brucie included, that they were the act that everybody had come out to see, they got all of a half-hour onstage.
It wouldn’t be fair to expect Blunstone, now in his sixties, to have the pretty, airy voice of his youth, and he doesn’t, but he still hit the notes. One would, however, expect the musicians in the band to play the songs pretty much note-for-note with the records, especially considering how iconic their hits have become, but Argent didn’t, and his extemporizing didn’t add anything to the material. They opened with I Love You and followed with a bouncy, aptly bluesy I’ve Been Abused. Then they did Time of the Season, with a long, pointless keyboard jam at the end, followed by Argent’s lone, long top 40 hit, the forgettable stoner riff-rocker Hold Your Head Up.
Their best song of the night was Tell Her No, the chorus just as fresh and memorable as it was when the song was released over 40 (!) years ago. They closed with She’s Not There, the solo at the end unfortunately taken not by Argent but by the guitarist, who failed to ignite the crowd with a grotesquely self-indulgent, excruciatingly long heavy metal wank-a-thon. And then they were done. The Turtles and the Rascals – woops, Felix Cavaliere’s Rascals – were scheduled to play afterward, but even as brief as the Zombies’ performance was, most anything else would have been anticlimactic. So we went over to the beach to see why there’d been a police helicopter circling with its searchlight on during the show (a young girl had happily escaped the clutches of a predator, who’d managed to escape by the time the helicopter showed up).
By the way, if you haven’t been out to Coney Island lately, make sure you do. Developers are salivating over the beachfront, and not that there are enough rich Americans or Eurotrash to buy the whole strip of coastline, but the Russian beach bars, deep-fried bellybomb stands and surprisingly cheap Astroland with its $2 rides will undoubtedly not survive the onslaught. The Mets’ single-A minor league affiliate plays at the ballpark toward the end of the boardwalk, admission is $7 and there’s not a bad seat in the house. The Pakistani taxi driver joint on Ocean Ave. a couple blocks north of Surf Ave. is heaven for hot pepper addicts, and Mrs. Adler’s Knishes a block north of that is still open and delicious. Don’t take this place for granted: it won’t be here much longer, take a long walk along the sand before it’s patrolled by private security from Halliburton.
Lucid Culture 