Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The Mast’s New Album Wild Poppies Is Unselfconsciously Intense

New York rock duo the Mast’s latest album Wild Poppies blends elements of minimalism, dark 80s rock, goth and trip-hop into a pensive, completely original sound. Frontwoman/multi-instrumentalist Haale writes darkly psychedelic, briskly rhythmic rock songs, backed by one-man percussion orchestra Matt Kilmer. In her previous work, Haale has explored classical Iranian melodies as well scorching, hypnotic, frequently exhilarating Jimi Hendrix-inspired jams. This time, while she pulls back on the volume, the songs are often just as intense and eclectic.

The album’s title track sets a bracingly catchy progression over rolling, rippling percussion and a characteristically surreal, imagistic lyric. The second cut, the sardonically titled Trump, is something of a dreampop take on Joy Division, or like early 90s Lush but with a more gritty, earthy vibe. Most of these songs use a lot of nature imagery: this one’s the most intense. “Oh some pockets run so deep, the rest are struggling for a piece of a fast-turning pie…the waters while we sleep are being bought up by a thief with paper bills for eyes,” Haale sings apprehensively.

EOA [End of Anxiety] shuffles eerily and minimalistically, like an analog version of Radiohead, its mantra-like hook shifting between major and minor modes. My All is hypnotic, minimalist trip-hop with a majestic post-Velvets processional pulse; Prize, a warped, syncopated one-chord boogie, winds down plaintively and hauntingly on the chorus. With its repetitive central riff and insistent 80s-style bass, The Lake builds to a potent crescendo with guitars slamming over a whirlwind of beats. Setting lush, ethereal vocals over yet another catchy, simple guitar riff and a stately shuffle beat (sounds like an oxymoron, but Kilmer pulls it off elegantly), Definitions wouldn’t be out of place on a Randi Russo album from about five years ago.

Hummingbird picks up the pace with fuzz bass and the vocals fading in and out, dreampop style, Kilmer rattling and then hitting some swirling cymbal crashes early on. Lucid Dream, a minimalist, moody early 90s style anthem, builds to a big, intense, anthemic outro. Carefully and tersely crafted, the album grows on you and carries even more of an impact with repeated listening: count this as one of 2011’s best. The whole thing is streaming at the band’s site. The Mast are great live: they’re at Bar 4 in Park Slope at 9 on 7/28.

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July 22, 2011 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , | Leave a comment