Album of the Day 8/15/11
Every day, our 1000 best albums of all time countdown continues all the way to #1. Monday’s album is #533:
Matthew Grimm & the Red Smear – The Ghost of Rock n Roll
Ex-Hangdogs frontman Grimm’s second album with this fiery, Social Distortion-esque Iowa highway rock band is what the Dead Kennedys might have sounded like, had they survived Tipper Gore’s assault and traded in the surf music for Americana. This 2009 release mixes snidely, sometimes viciously humorous cuts like Hang Up and Drive (a hilarious chronicle of idiots calling and texting behind the wheel), Cinderella (the self-centered girl who wants it all) and My Girlfriend’s Way Too Hot for Me (a raised middle finger at the yuppie who has everything but the hot chick, and who just can’t seem to complete his collection) with more savage, politically fueled songs. The centerpiece is the cold-blooded, murderous 1/20/09, celebrating the end of the Bush regime and looking forward the day when the “cloistered and dull trust-fund kid” might have to face up to his crimes in The Hague. There’s also the amusing Wrath of God, a sendup of doomsday Christians; White, an irresistibly funny, spot-on parody of white hip-hop; the triumphant and quite possibly prophetic singalong One Big Union, and the LMFAO Ayn Rand Sucks, which bitchslaps the memory of the “Nazi skank.” Mysteriously AWOL from the usual sources for free music, but it’s still available from cdbaby. The band’s first album, Dawn’s Early Apocalypse, is just about as entertaining too.
Concert Review from the Archives: The Sons of Hercules and the Pretty Things at the Village Underground, 8/24/01
[Editor’s note: while we’re on vacation, we’ll be raiding the archives for some memorable NYC shows from the past several years: here’s a really great night from a few years back.]
The night began at the C-Note on Avenue C with the beginning of what promised to be a great Americana night: jazzy chanteuse Lynn Ann’s wickedly smart blues band, Gate 18, folllowed by Matthew Grimm, frontman of the Hangdogs, playing solo on Telecaster and showing off some particularly fiery new material, including a typically funny, anti-consumerist anthem called Memo From the Corner Office (a.k.a The Shit That We Don’t Need) and an even more scathing one, Hey Hitler, which connects the dots between the Bush regime (Bush’s grandfather was the #1 American fundraiser for the Nazis in the years leading up to World War II) and their prototypes in the Reichstadt. Wild, jam-oriented bluegrass band Brooklyn Browngrass, f.k.a. Kill Devil Hills were next on the bill, but it was time to head over to the Village Underground for what turned out to be a killer garage band night. The most adrenalizing part of the evening was San Antonio garage-punks the Sons of Hercules. They sound like a Radio Birdman cover band except that they write their own songs. They were pretty phenomenal all the way through. The Telecaster player knew every Deniz Tek lick and played them perfectly: wild hammer-ons, ferocious tremolo-picking and equally fiery chromatic riffs. The bass player didn’t do Warwick Gilbert’s crescendoing runs up the scale, but the drummer could have been Ron Keeley and the Rickenbacker guitarist threw in some tastily minimal, macabre leads from song to song. Meanwhile, the frontman did the Iggy thing, “lookit me, I’m INSAAAANE!!!” Finally, at one in the morning, the Pretty Things took the stage, not the complete original 1964 crew, but close to it. Drums were left up to the group’s manager Mark St. John, who didn’t nail every change, but these guys are lucky they have someone so good who could take over on what was obviously short notice. Lead guitarist (and original Rolling Stones bassist) Dick Taylor held it all together, with his searing blues runs. They opened with a lot of chugging, amped-up early 60s style R&B rock, Roadrunner and such, then touched base with their 70s repertoire with the drugrunning anthem Havana Bound. The best part of the night, unsurprisingly, came during a series of songs from their classic 1967 psychedelic album SF Sorrow: the ominous folk-rock of SF Sorrow Is Born, the foreshadowing of the antiwar number Private Sorrow, a surprisingly understated version of the anguished Balloon Burning and then Taylor taking over with his froggy vocals on the over-the-top metaphors of Baron Saturday (“Dick Taylor IS Baron Saturday,” keyboardist John Povey told the crowd). Later they did an early 70s song that was the obvious inspiration for Aerosmith’s Draw the Line and a fast, bluesy version of the recent Going Downhill. The long encore began with a tentative Rosalyn, a tersely vivid version of the acoustic vignette The Loneliest Person in the World, then a brief, screaming version of their banned 1964 R&B-flavored hit LSD into the galloping, psychedelic Old Man Going, Taylor going to the top of his fretboard and screaming with an intensity that threatened to peel the paint off the walls.
Top Ten Songs of the Week 1/26/09
Here’s this week’s hit parade: if it keeps getting any more popular, it’s going to unseat our NYC concert calendar as the most popular post here. All of the links below are for either streams or downloads:
1. The Brooklyn What – The In-Crowd
The Brooklyn What continue to top the “charts” here, this time with a ridiculously catchy corrosively sarcastic singalong from their new cd The Brooklyn What for Borough President. “Is this the crowd, the crowd you wanna be in? Nah, nah nah nah, nah nah, nah nah!” They’re at Trash on 1/31 at midnight
2. Koony – 7 Fois 77 Fois
Beautiful, politically charged roots reggae in the style of Culture and Peter Tosh from this Burkina Faso expat and his killer band. They’re at Shrine on 1/29 at 10.
3. Myles Turney – Nobody’s Prize
Scathing, dismissive broadside aimed at spoiled tourists with some sweet acoustic guitar fingerpicking. She gets what’s coming to him, and so does he. Turney is at Arlene’s at 7 on 2/10.
4. Beluga – Trailer Park
Super catchy, danceable punk/funk/rock from this popular all-female band. They’re at Union Pool on 2/6.
5. Box of Crayons – Punk ATM
The history of punk rock in less than two amusing minutes, to the tune of In the City (or Holidays in the Sun, if you prefer): “I remember when you couldn’t find punk at the mall, when it wasn’t cool to be a punk at all.” They’re at the Parkside on 2/7.
6. First Degree Burns – Evolutionary
British ska/reggae/hiphop band doing a slow burning groove with good French lyrics!
7. Crime in Choir – Octopus in the Piano
This San Francisco band play sort of minimalist, melodic classically inflected dance/groove instrumentals, like a warmblooded Kraftwerk, or New Order without the stupid lyrics and vocals.
8. Matthew Grimm and the Red Smear – One Big Union
This is their new single, picked up by at least 2 congressional campaigns as a theme song. The perfect, optimistic anthem for the early part of the Obama years.
9. The Back CC’s – No More Gasoline in My Car
Tight, snarling garage/punk from this Brooklyn crew. They’re at Matchless on 1/30 at 8.
10. The Microscopic Septet – Lobster Leaps In
A typically catchy, perverse, multi-theme jazz hit from the band’s latest cd. Download it free here.
Song of the Day 10/23/08
Every day the countdown continues, one closer to the #1 song of alltime. Today’s is
#642:
Matthew Grimm & the Red Smear – 1/20/09
This is the one we tried to add to our myspace page, but myspace wouldn’t let us. Hmmm. If you’ve been looking forward to the end of the Bush regime for the past eight years, this is your anthem and ours too. And it’s brand new. A towering, guitar-stoked 6/8 broadside, it’s up on the band’s myspace right now and it’ll have you singing along in delicious anticipation of that beautiful but bitter day when 5.9 billion voices and glasses are raised. And then we’ll have to start digging out of the wreckage. But all hope is not lost:
I know you won’t soon be troubled with states of reflection
Still a cloistered and dull trust fund kid
You’ll never be hungry or called out or held to the laws
That hang others who do what you did
But maybe one shiny day
We’ll see each other again in The Hague…
Concert Review: The Hangdogs Reunion Show at Rodeo Bar, NYC 9/18/08
Shows like this can be extremely depressing; this benefit concert for Iowa flood relief was anything but (more on that later). The band actually looked better than ever. Maybe it was a good thing they broke up when they did, because the way they’d been drinking, they might not have lasted much longer anyway. For a substantial chunk of time in the late 90s and early zeros, there was no better New York band than the Hangdogs. Watching them evolve from overamped, politically incorrect honkytonkers to a magnificent, lyrically-charged Americana rock unit with a national following was one of the most satisfying things a concertgoer here could have witnessed – and countless did. But unable to tour constantly to support themselves, embittered by the corporatization of the music industry (and everything else) and the depletion of their mainly working-class audience, they packed it in in 2004, frontman Matthew “Banger” Grimm moving back to his native Iowa where he started an equally good, smart band, Matthew Grimm & the Red Smear. If memory serves right, this week’s two-night stand at their old haunt, the Rodeo (they play tonight as well) is the third time they’ve regrouped.
This time around, they didn’t have the full lineup – lead guitarist/keyboardist Kevin Karg AKA Texas Tex was AWOL. They did, however, have every bass player who’d ever been in the band, or so it seemed, a constant rotation taking turns depending on who knew what song. As usual, they saved most of the best stuff for their second set, toward the end of the night when everybody’d had more than a few. Standing in for Karg was Mick Hargreaves (formerly of Buddy Woodward’s Nitro Express), playing acoustic; southpaw guitarist Automatic Slim delivered his usual fast, crescendoing lead lines, and for once Grimm’s Telecaster wasn’t too low in the mix. The result was a fiery, ferocious blend of roar and twang. While a little loose from the booze and time spent away from the songs, they still played what has to be one of the best shows of the year so far.
Grimm marveled at how many sports bars have sprung up in the neighborhood since he left town. He was taken aback by a comment from somebody in the crowd: “I’m a pacifist. You have to hit me first.” As a writer, he’s as politically astute as Steve Earle or James McMurtry but a whole lot funnier, which is probably the secret to his success: instead of smacking you upside the head, he makes you laugh. He and the band barreled through a mix of funny songs – the anti-consumerist Memo from the Corner Office, the New Nashville satire Drink Yourself to Death (which poses the question, why does country radio sound like Celine Dion?), Alcohol of Fame (sung by one of the bass players) and their signature song, Beware the Dog – along with more serious fare like The Little Man in the Boat, a darkly prophetic number about the destitution of the working class.
With a gleeful grin, Grimm got his amp howling with feedback before lauching into a blistering version of Flatlands, a savage chronicle of bad times on the great plains that’s been a crowd favorite for years. As usual, they threw some covers into the set: Cheri Knight’s pensive If Wishes Were Horses, a Johnny Horton cover and a Chuck Berry-ish number that a ton of bar bands do. As much as this could have been a cruelly tantalizing nostalgia trip for those who miss the days before 9/11, it wasn’t. The best song of the night was their last, a brand-new number possibly titled 1/20/09, delivered by just Grimm and the rhythm section. It’s a brutal yet ultimately optimistic 6/8 ballad, set indelibly in the here and now, looking forward to the day when 5.4 billion people on the planet will rejoice in George W. Bush’s departure from the office he stole in the coup d’etat in 2000. Like Grimm, many or maybe even most of us would rejoice if Cheney’s Toy got terminal cancer, and nobody’s looking forward to the messy task of cleaning up the debacle he leaves behind. It’s the kind of song you walk out of the bar singing to yourself, at least in the snippets you can remember. If Grimm can get it recorded in the next couple of months, we’ll have the anthem of the decade.
In case you missed this one, the Hangdogs are playing a second show, pretty much the same stuff, tonight (Friday, 9/19/08) at the Rodeo starting around 10ish.