Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The New England Conservatory Jazz All Star Concert at B.B. King’s, NYC 3/27/10

The New England Conservatory is celebrating its jazz program’s fortieth year – if memory serves right, they were the first established conservatory in the United States to give jazz their official imprimatur, so it would only make sense that by now their alumni list would boast some of the world’s greatest players. Their faculty got to show off their chops (and welcome sense of humor) at the Jazz Standard on the 24th (reviewed here); this particular celebration was a counterintuitively eclectic bill that literally had something for everyone, a series of nonchronological flashbacks between present and various moments from the past, both in terms of the history of jazz as well as that of the conservatory. Ironically, the youngest act on the bill was also the most rustic. Lake Street Dive hark back to the early swing era, a style more vogue in the steampunk scene than mainstream jazz (which is also considerably ironic since their style would have fit in perfectly alongside hitmakers of that era). Rachael Price’s warmhearted, somewhat chirpy vocals blended in perfectly with bandleader/bassist Bridget Kearney’s charmingly aphoristic, period-perfect songs, Mike Olson’s balmy trumpet and Mike Calabrese’s deftly terse drums. Another recent alum, singer Sarah Jarosz (who also proved to be a fine mandolinist) benefited from Kearney and Calabrese’s supple rhythm on a similar original of hers. And Dominique Eade, whose own style runs closer to pop than anyone else on the bill, impressed with a torchy a-capella number.

The piano jazz of the early part of the evening was equally captivating. Jason Moran – who’d joined the faculty just minutes previously – served up an expansive, appropriately lyrical tribute to Jaki Byard, followed by Ran Blake’s purist takes of Abbey Lincoln and Gershwin and a rapturously melodic, hypnotically nocturnal improvisation by Matthew Shipp and guitarist Joe Morris.

And it sure would have been nice to have been able to stick around for Bernie Worrell, one of the NEC’s best-known alums – but we were needed elsewhere (a special shout-out to the young quartet – rhythm section, electric piano and guitar – who played tasteful fusion throughout the press party beforehand at the adjacent Lucille’s Bar).

March 28, 2010 Posted by | concert, jazz, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , | Leave a comment