Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Top Ten Songs of the Week 10/4/10

This is sort of our weekly, Kasey Kasem-inspired luddite DIY version of a podcast. Every week, we try to mix it up, offer a little something for everyone: sad songs, funny songs, upbeat songs, quieter stuff, you name it. We’ve designed this as something you can do on your lunch break if you work at a computer (and you have headphones – your boss won’t approve of a lot of this stuff). If you don’t like one of these songs, you can always go on to the next one: every link here will take you to each individual song. As always, the #1 song here will appear on our Best Songs of 2010 list at the end of the year.

1. Norden Bombsight – Never to Be Seen Again

Noir backstreet 4 AM menace, backup alarm on the garbage truck and all (turn down your headphone volume!) from the Brooklyn rockers’ excellent new cd Pinto.

2. LJ Murphy – Imperfect Strangers

Live at Theatre 80 St. Marks – a newly rearranged version by the king of NY noir rock.

3. Mike Rimbaud – Got to Sell Yourself

Characteristically edgy, catchy, sardonic new wave-tinged rock from a more underground version of Graham Parker or Elvis Costello.

4. Baby Birds Don’t Drink Milk – MT2

Noisy dub/drone/downtempo stuff via thefmly, thanks bros.

5. The Listeners – Driving Without Lights

Dark minor 80s style janglerock- good stuff.

6. El Opio – Ella

A psychedelic chicha classic from Peru circa 1972. Peruvian surf music is the best!

7. Sarah Kirkland Snider – This Is What You’re Like

Moody art-rock from her Penelope song cycle. She’s at le Poisson Rouge on 10/18 at 7. Free download.

8. Rachel Rodgers – Summer After 7

Caught the 14-year-old jazz flutist playing on the street the other day and she’s badass. Not that there aren’t other deep, smart 14-year-old people out there, but she’s the real deal. She knows her way around Bird, and Miles, and more and plays piano, and composes, and has Ron Carter on her cd. Go Rachel.

9. Darker My Love – Split Minute

Bizarre catchy 60s folk/psych/pop like something that was so underground even Lenny Kaye didn’t catch on for the Nuggets compilation.

10. Carl Wayne with ELO – Your World

A blast from the past: the former frontman of the Move tries his hand at soul music.

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October 4, 2010 Posted by | jazz, latin music, lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Top 10 Songs of the Week 7/12/10

OK, OK, we’re a day late. But who’s counting. This is just another way we try to spread the word about all the good music out there. As you’ll notice, every song that reaches the #1 spot on this list will also appear on our 100 Best Songs of 2010 list at the end of December. We try to mix it up, offer a little something for everyone: sad songs, funny songs, upbeat songs, quieter stuff, you name it. If you don’t like one of these, you can always go on to the next one. The only one here that doesn’t have a link to the track is #1 and that’s because it’s so new.

1. The Brooklyn What – Punk Rock Loneliness

About time Brooklyn’s most charismatic, intense, funny rockers returned to the top spot here. This one has a Dead Boys influence, with the two smoldering guitars and frontman Jamie Frey’s menacing lyric aimed at the gawkers who pass by what used to be CBGB. “You wanna be a dead boy?” Let’s get the Brooklyn What on Hipster Demolition Night!

2. Ernie Vega – Cocaine Blues

Not the one you’re thinking of – this one’s a lot more rustic and it’s hilarious, like something you’d hear on a Smithsonian recording from the 1920s.

3. Under Byen -Alt Er Tabt

A Danish version of the Creatures: catchy, atmospheric vocal overdubs, terse accordion and strings over a clattering Atrocity Exhibition rhythm.

4. Golden Triangle – Neon Noose

X as played by late 80s Jesus & Mary Chain – they’re at South St. Seaport on 7/16 at 6

5. Loose Limbs – Underdog

Lo-fi garage rock with soul/gospel vocals – if you like the Detroit Cobras you’ll like Loose Limbs. They’re at South St. Seaport on 7/23 at 6

6. Jeff Lang – Home to You

Wild insane steel guitar blues by the innovative Aussie guitarist.

7. Mike Rimbaud – Dirty Little Bomb

Classic new wave songwriting by a survivor from the very end of the era, still going strong twenty years later.

8. Costanza – Just Another Alien

The lyrics are the text from a US Immigration form. Eerie and apropos.

9. J-Ron – Weed Song

Texas faux “R&B.”

10. Amy Coleman – Goodbye New York

This is such a blast from the past, it’s kinda funny: the bastard child of DollHouse and Pet Benetar. Suddenly it’s 1979 again. Except it’s not.

July 13, 2010 Posted by | blues music, lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Concert Review: Mike Rimbaud and Serena Jost at the Delancey, NYC 3/29/10

“There’s Passover and there’s true spirituality,” Small Beast impresario and Botanica frontman Paul Wallfisch reassured the assembled multitudes at Monday’s episode of his weekly residency/salon/talentfest. Whatever your feelings about missing a big holiday might be, there was a lot of soul on this particular bill. It seems that Wallfisch’s early 90s pal Mike Rimbaud was ill-fated to be coming up right when Graham Parker and Elvis Costello were at the peak of their popularity. Twenty years later, just like those songwriting icons, Rimbaud remains an equally vital force. Throughout his 45-minute set, Rimbaud particularly evoked Parker with his catchy, soul-influenced tunes, sardonically aware, pun-laden, aphoristic lyrics and rakish delivery. “Stimulate me, baby,” he railed, sarcastically referencing Obama’s trickle-down economics while the percussionist behind him rattled a museum’s worth of bangable objects from around the globe. His guitar running through a dense fog of reverb, Rimbaud shuffled his way through a couple of catchy new wave soul numbers possibly titled Dirty Little Bomb and Pretty Green Baby, the latter a sendup of “fashion fascists.” Diva in a Dive Bar was pretty self-explanatory; Mother Was a Punk was bracing, to say the least: “She had a mouth like a peanut and an ass like a rattlesnake.” One Way Ticket to a Vicious Circle might well have been an allusion to his career on a major label. By now, Rimbaud’s guitar had gone just enough out of tune to add a menacing edge. The rest of the set ran from bitterly hostile – a chronicle about somebody who’s “famous in Japan” – to doggedly persistent – the most Parkeresque number of the night, I’ll Follow Your Sidewalks – to unabashedly romantic.

Serena Jost has gotten a lot of ink here, not only because she manages to find herself in a lot of good places, but because in a lot of ways she exemplifies what we stand for, the idea that great art can be perfectly accessible to a mass audience. She’s been playing a lot lately with Amanda Thorpe, whose torchy intensity is unrivalled, and this time Jost pulled out some of her own with an absolutely sultry cover of Doris Fisher’s Whispering Grass, talking her way through the last chorus: “It’s no secret anymore – whispering grass, don’t tell the trees ’cause the trees don’t need to know.” Jost usually approaches a song a lot more obliquely – mystery is her thing, and she works it – so this was a welcome change. Julian Maile’s potently allusive electric guitar gave the lyrics a chance to resonate, a mode he’d remain in for the evening.

Jost went back behind the curtain, metaphorically speaking, for most of the rest of the show. Although she did throw in a mean glissando down the piano keys at the end of a particularly upbeat version of her impossibly catchy, bouncy pop hit Vertical World. She played guitar on a couple of upbeat, equally catchy janglerock numbers, switching to cello for the more pensive ones, including several new tunes. A nocturne worked minimalistic triplet arpeggios against Maile’s otherworldly flange voicings; another took on a southwestern gothic feel (this woman can write anything). They encored with a stately, enigmatic chamber-pop track from Jost’s latest album Closer Than Far.

Wallfisch was next on the bill. It used to be that a solo show by this guy was a rare treat – now it’s a frequent one. And since one of the nearby uptown trains was scheduled to turn into a pumpkin at midnight, it was time to exit into the mist and look forward to next week’s episode. Paul Wallfisch plays pretty much weekly at around ten PM at Small Beast; Serena Jost plays Lakeside on April 21 at 7 PM in a trio show with Amanda Thorpe and Mary Lee Kortes.

March 31, 2010 Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment