Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: The New Collisions at Arlene Grocery, NYC 4/23/09

The night began auspiciously. Boston new wave revivalists the New Collisions just get better and better. In the studio, platinum-haired frontwoman Sarah Guild sings with a provocative chirp but in concert she turns on the big, ferocious, Martha Davis-style wail. If their upcoming cd is anything like their live show, it’s going to be amazing. Seven PM being an uncharacteristically early hour for them, they made it seem like it was midnight, burning through one sharply danceable, catchy song to the next, many of them segues that took the crowd by surprise. With their busy basslines, swooping 80s-style synth, guitarist Scott Guild’s slashing, trebly chordal style, they’re something akin to Missing Persons with a college degree and an ever-present sense of unease – almost all of their three-minute dance songs have a dark side. The persistent restlessness in the lyrics is anything but a pose: it’s almost as if this band is offering a new look at the real side of the 80s, the one that John Hughes never would have. Even though the band looks like they weren’t even born until late in the decade.

 

From the first notes of the calypso-inflected intro to No Free Ride, Scott Guild was pogoing. They segued from that one into the lost-kids anthem In a Shadow, Sarah Guild belting wildly into the chorus: “In a shadow is all I know.” On Caged Us Kids, she finally took off her leather coat, revealing an irridescent red dress. “They caged us kids and stole from us,” she wailed over the song’s catchy four-chord, darkly minor-key hook. And then segued into a particularly ferocious version of their nonconformist anthem Ones to Wander: “We were the ones to wander, not like you…between the lights, oh my eyes!” It was transcendent, powerpop heaven, like being at a CBGB of the mind, 1976.

 

Beautiful and Numb began as an uncharacteristically warm, atmospheric ballad, with synth washes building to a stinging, anthemic chorus: “Isn’t it true, this is how the world ends…they took away the danger and they taught us how to sing,” Sarah Guild lamented, a stark contrast with the American Idol types she was disparaging. Then the keyboardist took a nimble electric piano solo that wouldn’t have been out of place on a Radio Birdman song.

 

“I could not escape what was mine…in the night there is no silence,” went the verse on a the new, somewhat New Order-tinged ballad Constellations. They closed the set with a ferocious new one building from a stark piano outro, Sarah Guild’s outraged wail telling how, “somehow when I sleep we were maimed, we were changed.” Since the band has been rehearsing with two drummers, they’d depleted all the songs the guy they brought along with them knew (this guy is a keeper!) so they did Caged Us Kids again as an encore. Next time around the club ought to put them on later: a lot of their fan base were AWOL, no doubt still at work or on the way home. They’re back in NYC at the Delancey on May 21 at 9.

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April 25, 2009 Posted by | Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , | Leave a comment