Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The 50 Best Albums of 2009

You’ll notice that aside from the #1 spot here, these aren’t ranked in any kind of order: the difference, quality-wise between #1 and #50 is so slight as to make the idea of trying to sort out which might be “better” an exercise in futility. If you’re interested, here’s our 100 Best Songs of 2009 list.

1. The Brooklyn What – The Brooklyn What for Borough President

Like London Calling, it’s a diverse yet consistently ferocious, sometimes hilarious mix of styles imbued with punk energy and an edgy, quintessentially New York intensity. Time will probably judge this a classic.

2. Matthew Grimm & the Red Smear – The Ghost of Rock n Roll

The former Hangdogs frontman’s finest, funniest, most spot-on moment as a fearless, politically aware Americana rocker.

3. The Oxygen Ponies – Harmony Handgrenade

Dating from the waning days of the Bush regime, this is a murderously angry album about living under an enemy occupation: love in a time of choler?

4. The Beefstock Recipes anthology

A rich double album of some of New York’s best bands, with standout tracks from the Secrets, Paula Carino, Erica Smith, Skelter, Rebecca Turner and many more.

5. Dan Bryk – Pop Psychology

Arguably the most insightful – and most brutally funny – album ever written about the music industry. The tunes are great too.

6. Balthrop, Alabama – Subway Songs

The sprawling Brooklyn band go deep into 60s noir with this brilliantly morbid, phantasmagorical ep.

7. Bobby Vacant & the Weary – Tear Back the Night

In the spirit of Dark Side of the  Moon and Closer, this is a masterpiece of artsy existentialist rock. You’ll find several tracks on our Best Songs of 2009 list, including our #1 pick, Never Looking Back.

8. Botanica – americanundone

All the fearless fury and rage of a Botanica live show successfully captured at a show in Germany late last year.

9. Kelli Rae Powell – New Words for Old Lullabies

The amazingly lyrical oldtimey chanteuse alternates between sultry, devious romantic stylings and sheer unhinged anger.

10. McGinty & White Sing Selections from the McGinty & White Songbook

Ward White and Joe McGinty’s wickedly lyrical collaboration puts a fresh spin on retro 60s psychedelic pop.

11. The Church – Untitled #23

The Australian art-rock legends’ latest is yet another triumph of swirling atmospherics and intense lyricism.

12. Amy Allison – Sheffield Streets

Her best album – the New York song stylist has never been funnier or more acerbic. Includes a charming duet with Elvis Costello.

13. Steve Wynn and the Dragon Bridge Orchestra – Live in Brussels

A lush, majestic effort recorded with the stellar crew who played on his most recent studio album Crossing Dragon Bridge.

14. Elisa Flynn – Songs About Birds & Ghosts

Haunting and poignant but also cleverly amusing, the New York rocker has never written better or sung more affectingly.

15. The Jazz Funeral – s/t – free download

The best band ever to come out of Staten Island, New York, these janglerockers write excellent lyrics and have some very catchy Americana-inflected tunes.

16. Jay Bennett – Whatever Happened, I Apologize – free download

The last album the great Americana songwriter ever recorded, a harrowing chronicle of dissolution and despair.

17. Marty Willson-Piper – Nightjar

The Church’s iconic twelve-string guitarist’s finest work ever, a sweeping, majestic, multistylistic masterpiece.

18. Black Sea Hotel – s/t

New York’s own Bulgarian vocal choir’s debut is otherworldly, gorgeous and strikingly innovative.

19. Rupa & the April Fishes – Este Mundo

Latin meets noir cabaret meets acoustic gypsy punk on the Bay Area band’s sensational second album.

20. The JD Allen Trio – Shine!

The tenor saxophonist/composer goes straight for wherever the melody is, usually in four minutes or less, with one of the world’s great rhythm sections, Gregg August on bass and Rudy Royston on drums. Time may also judge this a classic.

21. The New Collisions – s/t

All the fun and edgy intensity of vintage 80s new wave reinvented for the next decade by platinum-haired frontwoman Sarah Guild and her killer backing band.

22. Ten Pound Heads – s/t

The great long lost Blue Oyster Cult album: relentlessly dark, edgy, occasionally noir art-rock songs with layers of great guitar.

23. Easy Star’s Lonely Hearts Dub Band

A hilariously woozy, fun romp through the songs from Sergeant Pepper, by the allstar NYC reggae crew who brought us Dub Side of the Moon and Radiodread.

24. Jeff Zentner – The Dying Days of Summer

Intense, memorable Nashville gothic songwriting from one of its finest practitioners.

25. Chris Eminizer – Twice the Animal

Cleverly lyrical art-rock songwriting with tinges of vintage Peter Gabriel from this first-rate New York rocker.

26. Tinariwen – Imidiwan: Companions

The Tuareg rockers’ most diverse, accessible album, as memorable as it is hypnotic.

27. Monika Jalili – Elan

Classic songs from Iran from the 60s and 70s, fondly and hauntingly delivered by the Iranian-American siren and her amazing backup band.

28. Ivo Papasov – Dance of the Falcon

The iconic Bulgarian clarinetist delivers maybe his most adrenalizing, intense album of gypsy music ever.

29. The Stagger Back Brass Band – s/t

The Spinal Tap of brass bands are as virtuosic and melodic as they are funny – which is a lot.

30. Eric Vloeimans‘ Fugimundi – Live at Yoshi’s

The Dutch trumpeter leads a trio through a particularly poignant, affecting mix of classically-tinged jazz.

31. The Asylum Street Spankers – What? And Give Up Show Business?

Recorded at the Barrow Street Theatre in New York last year, this is a boisterous, furious mix of hilarious skits and songs by the Dead Kennedys of the oldtimey scene.

32. Salaam – s/t

Sister-and-brother Dena and Amir El Saffar’s richly memorable, haunting seventh album of Middle Eastern instrumentals and ballads.

33. Fishtank Ensemble – Samurai over Serbia

Their shtick is that they add an Asian tinge to gypsy music, giving it an especially wild edge. The singing saw work on the album is pretty amazing too.

34. Charles Evans/Neil Shah – Live at Saint Stephens

An eerily glimmering, suspensefully minimalist masterpiece by the baritone sax player and pianist, recorded in a sonically exquisite old church earlier this year.

35. The Silk Road Ensemble – Off the Map

Their first one without Yo-yo Ma is also their most adventurous mix of Asian and Middle Eastern-themed compositions (by Osvaldo Golijov, Angel Lam, Evan Ziporyn and others), played by an allstar cast including Kayhan Kalhor, string quartet Brooklyn Rider, pipa pioneer Wu Man and a cast of dozens.

36. Linda Draper – Bridge and Tunnel

The NYC songwriter’s most straightforward, catchy yet also maybe her most lyrically edgy album yet – and she has several.

37. Darren Gaines and the Key Party – My Blacks Don’t Match

Wry, Tom Waits-inflected noir songs by this excellent NYC crew.

38. Love Camp 7 – Union Garage

A deliciously jangly followup to their classic 2007 album Sometimes Always Never.

39. The Komeda Project – Requiem

The New York jazz crew’s second collection of works by the Roman Polanski collaborator who died tragically in the 1960s is brooding, morbid, cinematic and Mingus-esque.  

40. Si Para Usted Vol. 2 – The Funky Beats of Revolutionary Cuba

Like the Roots of Chicha series, Waxing Deep’s second devious, danceable collection of genre-hopping obscure Latin funk from 1970s Cuba onward is packed with obscure gems.

41. Huun Huur Tu and Carmen Rizzo – Eternal

Ominous, windswept, atmospheric North Asian ambience produced with stately, understated power.

42. The Moonlighters – Enchanted

Another great album: gorgeous harmonies from Bliss Blood and Cindy Ball, charming retro 20s songwriting and incisive steel guitar from NYC’s best oldtimey band.

43. Minamo – Kuroi Kawa/Black River

Pianist Satoko Fujii and violinist Carla Kihlstedt share a telepathic chemistry in duo soundscapes ranging from clever and playful to downright macabre.

44. Robin O’Brien – The Apple in Man

The multistylistic chanteuse, legendary in the cassette underground, gets her haunting, intense, otherworldly vocals set to smart, terse new arrangements from dreampop to 70s style Britfolk to trance.

45. Devi – Get Free

Ferociously smart pychedelic power trio rock with one of the most interesting lead guitarists out there right now.

46. Obits – I Blame You

Dark, catchy, propulsive retro 60s garage rock with echoes of the Stooges and early Pink Floyd by this inspired Brooklyn band.

47. HuDost – Trapeze

Sweeping, sometimes hypnotic, artsy songs that move from Americana to gypsy to goth, with frontwoman Moksha Sommer’s graceful vocals.

48. Lenny Molotov – Illuminated Blues

Hauntingly visionary, provocative, politically aware songs set to gorgeously rustic, late 1920s blues, swing and hillbilly arrangements by the great Americana guitarist.

49. Chang Jui-Chuan – Exodus: Retrospective and Prospective 1999-2009

Fearless conscious bilingual hip-hop (in Taiwanese and English) from this international star.

50. Les Triaboliques – rivermudtwilight

A trio of old British punks – Justin Adams, Ben Mandelson and Lu Edmonds – combine to create a masterpiece of desert-inspired duskcore.

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September 17, 2009 Posted by | jazz, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 4 Comments

CD Review: Marty Willson-Piper – Nightjar

His best album. Marty Willson-Piper is the preeminent twelve-string guitarist of our time, whether creating rich layers of atmosphere as one of the two lead guitarists in legendary Australian art-rockers the Church, or building a ferocious, bluesy blaze moonlighting in the latest incarnation of the Saints. He’s also as good as songwriter as he is a guitarist. This cd, his first studio effort since 2000 is every bit the match for pretty much everything his main band has ever done. The production manages to be ornate yet terse, with judiciously arranged guitars, keys and occasional strings  (by the alluring Australian quartet the Mood Maidens) and harmony vocals by cult siren Tiare Helberg. Willson-Piper leads the band with a somewhat airy delivery (imagine Rob Younger of Radio Birdman today, in a relaxed, thoughtful moment, if that’s possible). The songs are mostly slow-to-midtempo anthems, and Willson-Piper also, somewhat surprisingly, proves particularly adept at mid-60s style country on the sardonic, pedal steel-driven Game for Losers and the unforgiving, stern The Love You Never Had.

The opening track, No One There sounds, unsurprisingly, towering and majestic just like the Church, right down to Willson-Piper’s trademark echoey, ominous, portentous bent-note phrases, a pensive study in alienation and, more importantly, disalienation. Willson-Piper does not suffer fools gladly, and though he’s often very funny about it, much of this album is a surgical strike against complacency. The theme echoes, amusing yet spot-on, in the thoughtful, eco-friendly More Is Less:

 

I heard that god was coming back

I didn’t know that he’d been here…

Even the angels enjoy a good cigar

They say, tone-deaf drunks sing sweet songs

 

The cd’s centerpiece The Sniper, is a similarly thoughtful, methodical track, an eerily calm, rational assessment of whether or not to assassinate an unnamed, crooked politician (this album being recorded during the waning days of the Bush regime, Dick Cheney is the obvious suspected victim). The world goes to hell, and we all let it happen, Willson-Piper calmly intones. What if we didn’t? What is the price, and what are the philosophical consequences of heroism, he ponders?

The rousing, countryfied Feed Your Mind is laugh-out-loud hilarious, a savagely lyrical anti-tourist tirade that begins almost inscrutably but gets less and less subtle as it goes on, ending on the same note as the Room’s classic Jackpot Jack. High Down Below is the requisite big rocker, its narrator retreating to a place of sanity to make sense of the idiocy all around. The most poignant of all the tracks here is the vivid, haunting Song for Victor Jara, commemorating the great Chilean songwriter and poet murdered in 1973 in the wake of a CIA-backed coup. Ferociously intelligent and richly melodic, this makes an ideal late-night headphone album: look for this at the end of the year high on our best albums of 2009 list in December. The Church are on tour this summer (they’re at Irving Plaza in New York on July 8th) and hopefully Willson-Piper will be able to do a few solo dates as well.

May 18, 2009 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , | Leave a comment