Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Ryan Truesdell Resurrects a Gil Evans Classic Mothballed for Half a Century

Friday night the Jazz Standard looked to be sold out and for good reason. In celebration of the fiftieth anniversary of the birth of Impulse Records, the club has been playing host to a series of concerts commemorating artists or albums associated with the influential 1960s jazz label. This was the pick of the bunch, an allstar sixteen-piece cast assembled by composer Ryan Truesdell, a leading Gil Evans advocate and scholar, playing Evans’ 1961 big band cult classic Out of the Cool. Truesdell was quick to acknowledge the support of Evans’ widow Anita, who was in the audience. He also reminded that this may have been the first time the music on the album has been played live, as a whole, in fifty years. Which on one hand is mind-boggling – in the intervening five decades, couldn’t someone have pulled a band together just like Truesdell did? On the other hand, leaving it alone makes a lot of sense: it’s hard to improve on perfection.

In their opening set, they didn’t do the whole thing, substituting a vivid, animated version of Nothing Like You (a song long associated with Miles Davis, recorded on another cult classic, 1964’s The Individualism of Gil Evans) for the brooding atmospherics of Sunken Treasure. That choice kept the energy level up via a nonchalantly bristling solo from pianist Frank Kimbrough (spot-on in the Evans role with his judicious, incisive chordal attack) and a long, smokily bluesy one from tenor saxophonist Marcus Strickland. As the album’s and the night’s opening track – George Russell’s Stratusphunk – unwound with a jaunty martial pulse, it was clear that this would be an attempt to reach for the brilliance of the original ensemble’s collective improvisation rather than to replicate it. A tall order, needless to say. But having eclectic, virtuoso tuba player Howard Johnson – whose association with Evans lasted more than two decades – helped. As did the presence of George Flynn on bass trombone and Michael Rabinowitz on bassoon, rounding out the low end along with bassist Kiyoshi Kitagawa, who got a real workout doing an energetic impression of Ron Carter’s marathon walks.

Kurt Weill’s Bilbao Song got a deliciously pillowy performance, including nimble, incisive work from Kitagawa and guitarist Ben Monder along with ensemble work that dramatically brought out the contrasts between rhythm and the lush horizontality of the melody. Horace Silver’s Sister Sadie, which didn’t make it onto the album until the reissue, also paired off contrasts between the tune’s jaunty swing and some typical blazing, all-stops-out Evans crescendos, and a neat false ending. As expected, the high point of the set, in fact one of the high points of this year’s concerts so far, was an absolutely devastating version of Where Flamingos Fly. The most obviously Sketches of Spain-influenced number on the album, its tense noir atmospherics gave trombonist John Allred a long launching pad for a plaintive, wounded, chillingly beautiful solo spot. They closed with La Nevada, a noir epic on album, here more of a jam on its stunningly simple, memorable hook, Rabonowitz going with slow, gripping blues, trumpeter Greg Gisbert going at it fast, flutist Charles Pillow playfully elbowing Johnson off the page when the tuba started making some unexpected runs way up into flute territory. Drummer Clarence Penn, who’d been grinning almost nonstop at the prospect of getting to emulate Elvin Jones for a whole night, pounced on turnarounds and the end of phrases like a fighter who’s been waiting his whole life for the occasion.

Truesdell didn’t conduct so much as he signaled transitions – and did so with great intuition – although he made a great emcee. His passion for Evans’ music was contagious. Among other projects, he’s spearheading a celebration of the centenary of Evans’ birth this year, with concerts and a recording of some of the fifty-odd unpublished Evans compositions he’s unearthed.

April 25, 2011 Posted by | concert, jazz, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment