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JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 10/18/11

We’ll get caught up with this thing sooner or later – as we do pretty much every day, our 1000 best albums of all time countdown continues all the way to #1. Tuesday’s album was #470:

Howlin’ Wolf – The London Sessions

Reputedly the Wolf was hungover when he did this impromptu two-day 1970 session of remakes of many of his classic blues hits with an adoring band of British rock stars whom he’d influenced enormously. Ringo drums on one track; otherwise, the swinging rhythm section is usually Charlie Watts and Bill Wyman (whose bass work on Sittin on Top of the World is pure genius). And believe it or not, Eric Clapton stays within himself and plays the hell out of possibly the best version ever of I Ain’t Superstitious, along with Built for Comfort, Who’s Been Talking, and Red Rooster. And he leaves plenty of room to the great Hubert Sumlin, whose guitar slashes as judiciously and unpredictably as always on Rockin Daddy, Worried About My Baby, and a quick run through Do the Do. At the end, the Wolf relents and even sounds inspired on Wang Dang Doodle, a song he absolutely despised. It’s a study in contrasts: the sly, low-key Wolf and a bunch of guys getting to play with their idol, well. Here’s a random torrent.

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October 20, 2011 Posted by | blues music, lists, Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Carly Jamison’s New Album Happened for a Reason

Carly Jamison is tough and fearless and funny as hell sometimes too. What a breath of fresh air – in a world of wussy waifs and wannabe Jersey Shore skanks, she’s a rare individual voice making smart, accessible, kick-ass Americana-flavored rock. Whether she’s pissed off, or daring you to do something, or cracking a joke, she sings low and confident, casual and conversational. The conversation might go something like this: “Don’t fuck with me.” Her new album Everything Happens for a Reason has to be one of the best driving albums of recent years – it’ll keep you awake on the way to work, and bring you back to life on the way home. It sounds like a vinyl record, like one of those great Georgia Satellites records from the 80s – that fat backbeat, that whiplash snare drum sound, the way the bass rises as the chorus kicks in and all that kick-ass Stonesy guitar. A lot of that has to do with the fact that Dan Baird of the Satellites (and the Yayhoos) plays guitar here, and he might be even better now than he was then.

The opening track, Bring It On sets the stage nonchalantly with scorching layers of guitar, Jamison coyly sliding up to her notes. As is the case throughout this album, the little touches mean a lot – the drum break just before the end, a slide up on the bass and some tremolo-picking from Baird in the distance as it fades. Doubt – as in “there ain’t no doubt” – works a John Fogerty swamp-blues hook and neat layers of acoustic and electric guitars, the first of several kiss-off anthems. “What doesn’t kill us makes me stronger, and I’ve been through many worse things than this,” Jamison asserts knowingly. The classic, a song that needed to be written, is Ask Me If I Give a Shit, the kiss-off song to end all kiss-off songs. “I’ll look into your eyes and tell you where to go,” Jamison sings practically in a murmur, and it just gets better and better from there. A string section with a woozy phaser effect kicks off The One with You, which might be a cheating song, or it could just be a regret song, Baird again putting the rubber to the road with those big, simple, turbocharged riffs.

The mostly acoustic Hills of Jericho chronicles teenage lust triumphing over conformity, with nice high harmonies by Joslyn Ford-Keel: “I once believed in all their stories, I once believed in all their lies,” Jamison admits, but she doesn’t anymore. Self-Consumed is another go-to-hell number, this one for a selfcentered jerk, anchored by some wry baritone guitar. A Stonesy stomp, Look Where It’s Coming From is a dis aimed at a big bullshitter; No Control Anymore starts out tense and acoustic, threatening to fly off the hinges at any second, and when the electric guitars kick in on the chorus it’s soooo satisfying.

After the reverb-drenched honkytonk blues This Big Old Bottle, the album ends with what should be the single, Dreaming, an Orbisonesque noir tremolo-pop song with some tasty violin textures as it builds. It’s simple enough to fool the programmers, real enough to sink its hooks into you and not let go. Maybe this can be Jamison’s sneak attack on country radio – country radio is rock now after all, and it’s overdue for an antidote to all those Shania Twain wannabes. A self-taught musician and songwriter based in New York, Jamison seems more of a creature of the studio than a live performer; here’s hoping this album gets her songs the exposure they deserve.

April 7, 2011 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , | 1 Comment

Kasey Anderson’s Heart of a Dog Has Lyrical Bite

Kasey Anderson’s most recent album, Nowhere Nights was one of the best of 2010. The “nowhere nights” theme continues on his new one Heart of a Dog, except with the guitars turned all the way up, pretty much all the way through. Steve Earle is still the obvious comparison – if you’ve ever heard Earle play Nirvana, that comes closer to describing what this sounds like. It’s lyrical rock: Anderson still scours the fringes with a merciless eye for detail and an ear for a catchy, purist guitar hook. His monster band the Honkies includes Andrew KcKeag on lead guitar plus Eric Corson (of the Long Winters) on bass and former Posie Mike Musburger on some of the most effectively loud rock drums in recent memory.

These songs are dark. The album gets off to a great start with The Wrong Light, a big crunchy bluesmetal number that works a Born Under a Bad Sign vibe, thematically if not tunewise. “I got a handful of powder and a wicked grin, open your eyes and let the wrong light in,” Anderson entices in a leering stage whisper. It’s the first of several launching pads for some searing, bluesy lead work by McKeag, who delivers a mean late 70s Ron Wood impression with a slide on the cynical, Stonesy rocker Mercy. Building from an ominous piano intro to a big anthem, Exit Ghost is a grim, completely unromanticized girlfriend-lost-to-drugs story. Your Side of Town might be the predecessor to that one, a bitter kiss-off anthem:

You kept my pockets empty, I was keeping my eyes wide
You were dealing pride and envy, I got my other fix on the side

Another big, fast Stonesy tune, Sirens & Thunder is cynical, but with an unrepentant smirk: the time with that girl may have been crazy and ultimately it might have been hell, but some of the craziest parts were a lot of fun. Kasey Anderson’s Dream offers a considerably louder apocalyptic garage rock update on Bob Dylan’s Honest with You, namechecking Sharon Jones and staring straight into the future: “You want a brave new world, well that can be arranged – the ship’s still sinking but the captain’s changed.” The rest of the tracks include more doomed Dylanesque imagery in Revisionist History Blues; the crushing lucidity of a hangover unfolding in the slow, brooding For Anyone; some delicious organ and accordion work in another regretful ballad, My Blues, My Love; the fast, Springsteenish My Baby’s a Wrecking Ball, and a blazing backbeat cover of the 1983 English Beat frathouse anthem Save It for Later that blows away the original. Pop a Mickey’s Big Mouth and crank this.

March 11, 2011 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 7/2/10

Less than a month til our best 666 songs of alltime countdown reaches #1! Friday’s song is #27:

The Rolling Stones – Sister Morphine

As gruesomely as Jagger recounts this deathbed scenario, it’s Keith Richards’ and Ry Cooder’s guitars that make it so macabre. “And in the morning you can wash all those clean white sheets stained red.” From Sticky Fingers, 1972.

July 1, 2010 Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 6/25/10

Every day, for a little more than a month, our best 666 songs of alltime countdown continues all the way to #1. Friday’s song is #34:

The Rolling Stones – Wild Horses

As we get closer to #1, you’ve probably noticed that some of the songs are getting kind of obvious. But they’re obvious because they’re so good. This might be the best love song ever written – and one of the saddest ones, since all the good ones are sad anyway. It’s the little touches, like Jim Dickinson’s plaintive piano fills, that make it that way. From Sticky Fingers, 1972.

June 25, 2010 Posted by | lists, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 5/27/10

The best 666 songs of alltime countdown continues every day, all the way to #1. Thursday’s song is #63:

 The Rolling Stones – Dead Flowers

The only serious one of their many faux-country ballads is the best. Ostensibly it marked the dissolution of the Jagger-Faithfull romance, but it’s a lot more vicious than it seemingly would need to be. Never mind the zillions of covers out there, they can’t compare with the original. From Sticky Fingers, 1972.

May 27, 2010 Posted by | country music, lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 2/22/10

The best 666 songs of alltime countdown continues every day, all the way to #1. Monday’s song is #157:

The Rolling Stones – 2000 Light Years From Home

Acid-warped gothic blues masterpiece from the cult classic Their Majesties Satanic Request, 1968, the Stones’ attempt to outdo Sgt. Pepper with black humor – and succeeding beyond their wildest dreams. That’s Keith on bass – and keys too!

February 22, 2010 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert, rock music | , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 1/25/10

Til the next post, as we do every day the best 666 songs of alltime countdown continues all the way to #1. Monday’s song is #185:

The Rolling Stones – Fool to Cry

Slow, haunting, Curtis Mayfield-inspired ballad from the underrated 1975 Black & Blue album, all those layers of electric piano, organ and synth absolutely gorgeous.

January 24, 2010 Posted by | lists, Lists - Best of 2008 etc., music, concert, New York City, rock music | , , , , , , , , , , | Leave a comment

Some Songs For You Until We Return

As regulars here know by now, Lucid Culture HQ is undergoing some big renovations and for that reason we have to leave this site more or less in limbo until about the middle of October  when we  return with more of the stuff you may have grown accustomed to: the NYC live music calendar, cd and concert reviews, Song of the Day and our Tuesday Top Ten Songs list. This will also serve as a test of sorts to see how much traffic we get while there’s not much going on here. In the meantime, here are the songs of the day that we’d scheduled to appear, a new one every day through October 15, 2009  as the countdown to #1 on the Top 666 Songs of Alltime list continues.  If this isn’t enough to satisfy your curiosity, look around a little, browse the index above and we’ll be back before you know it.

304. Joy Division – Walked in Line

“All dressed in uniforms so fine/They drank and killed to pass the time/Wearing the shame of all their crimes/With measured steps they walked in line.” Nazis as metaphor for conformity as a whole, stepping to a ridiculously simple, potent descending punk riff. An early, 1977-era song released on the posthumous 1981 Still lp, available in a ridiculous number of live and studio versions: peek around.

303. Dick Dale – Misirlou

The lefty guitar genius and surf music pioneer is Lebanese-American and probably heard this iconic Greek melody as a kid in the 50s. Nice to see him healthy again and back on the road. New York Greek party rockers Magges also do a tremendously fun version.

302. The Dog Show – If I Laugh Anymore I’ll Break

Blistering and catchy, sort of a cross between the Dead Boys and 50s R&B. One of the more obscure tracks here, this is on a rare ep by the NYC mod punks from 2003 or so and well worth seeking out, whether on a live bootleg (they exist) or otherwise.

301. Elvis Costello – Riot Act

One of Steve Nieve’s finest, most poignant moments in the band with all those hauntingly restrained piano arpeggios. From Get Happy, 1980; mp3s are everywhere.

300. The Grateful Dead – Days Between

Every now and then, Jerry and co. would pull out the gravitas and this is a prime, extremely poignant example from right before the end, an elegiac epic that in its dark, determined way might just be their best song. Not that it really mattered, but the Dead never released it during their lifetime as either a studio or live recording. So you need to go to dead.net or archive.org, where this 12-minute gem resides in several places.

299. The Go-Betweens – You Can’t Say No Forever

Haunting, percussive janglerock cautionary tale about the dangers of succumbing to the lure of marriage. An apt companion piece to the Fun Boy Three’s Tunnel of Love…and a million blues and country songs. It doesn’t sound much like anything the artsy New Zealand pop band ever did before or after. From 16 Lovers’ Lane, 1989; mp3s are everywhere.

298. The Rolling Stones – Black Limousine

A poignant requiem for a good time, Ron Wood’s warmly fluid blues solo one of his finest moments in the band over a neat hesitation-step series of basic blues changes. From Tattoo You, 1981; mp3s are everywhere, and don’t be shy about downloading it because like all major label releases, this one will never make the band any more money. Not that they need it anyway. The link above is a spirited live version from the tour of the same year.

297. Telephone – Au Coeur de la Nuit

The title translates as “heart of the night,” which to songwriter Jean-Louis Aubert’s credit transcends cliche here. One of the most iconic songs in French rock, it’s a blistering requiem, title track from the Parisian rockers’ 1981 lp. Which you can download all over the place; the link above is a careening live version from German tv.

296. Zager & Evans – In the Year 2525

OK, some of you may find this cheesy and over-the-top. But we think the 1969 one-hit wonder is spooky in a psychedelic California Dreaming kind of way. Whatever you think, the video above is hilarious – and it screams out for someone with a little more depth to cover the song and bring out all its apocalyptic angst. By the way, the song was a last-minute addition to the band’s first album (if you find it, pick it up, it’s rare). Available for taping off your favorite oldies radio station as well as all over the web.

295. Randi RussoWonderland

Arguably the iconic indie rock siren’s signature song, this is a bruised, towering anthem about being left behind. And the injustice and cruel irony of it. From her classic Solar Bipolar cd, 2000; the link in the title above is the considerably faster but still dangerous version from the Live at Sin-e album, 2005.

294. Amy Rigby – Rode Hard

Culture shock has seldom been more amusingly, or more poignantly portrayed: fearless big city girl goes south and she doesn’t understand the natives any better than they understand her. She might be jealous of their brightly lit homes and seemingly secure lives, but she’s not sure. And are there any eligible guys within a hundred mile radius? Is there one? From the Sugar Tree cd, 2000, which you could download, or you could get at her site, she’s an independent artist so none of your money will go to any sleazy record label exec.

293. Erika Simonian – Bitter & Brittle

Best song on the classic 2003 All the Plastic Animals cd by the NYC underground songwriter/chanteuse and Sprinkle Genies guitarist, grimly yet wittily contemplating a fullscale breakdown with one of her characteristically gemlike lyrics.

292. Elvis Costello – Love Went Mad

“Do you know how I feel? Do you have a heart, do you have a heart of iron and steel?” the King inquires with a savage amphetamine insistence. A fast, anthemic smash from Punch the Clock, 1983, driven by Steve Nieve’s incisively bright piano. Mp3s are everywhere.

291. Curtis Eller – After the Soil Fails

Apocalyptic opening track on the fiery NYC banjo rocker’s 2008 cd Wirewalkers & Assassins:

This time the dream is a Russian oil tanker

Fidel Castro and Cuban sugarcane

Richard Nixon’s having the same old nightmare

Jack Ruby’s black secret crawling up through the drain…

When the hurricanes finally take out New Orleans

And scarlet fever has finally left Philadelphia bare…

There’s a ghost that we remember hanging in the air

290. Ninth House – Your Past May Come Back to Haunt Me

Catchy, swaying Nashville gothic existentialist cautionary tale: “I know all your secrets,” frontman Mark Sinnis intones ominously. From Swim in the Silence, 2000.

289. Elena Zazanis – Stingray

The highly regarded indie film actress is also a terrific singer and songwriter, with a powerful alto wail and a haunting chromatic edge that reflect her Greek heritage. For a few years during the early part of the decade, she led a first-rate, dark New York powerpop band and this is their finest moment, a towering anthem vividly depicting a surreal nightmare scenario that doesn’t end well. Never recorded, although live bootlegs exist.

288. REM – Find the River

Arguably their best song, about as far from their indie roots as they ever got, lush and anthemic with a string section. It’s about getting old, and failure, and death. “All of this is coming your way.” From Automatic for the People, 1992. Click on the video in the link above.

287. Latin QuarterTruth About John

For about a year the British rock press were all gaga over this lyrically brilliant, Costelloesque band who were one of the first to bring Afropop flourishes into rock. This is probably their most straight-up rock song, a bruising anthem about Albert Goldman’s hatchet-job John Lennon bio. From the Modern Times lp, 1985. The Pip Hoyle style organ solo out is luscious. Frontman Steve Skaith now fronts his own band, continuing to play and record intriguingly polystylistic, lyrical songs. The link in the title above is the stream at imeem.

286. Flash & the Pan – Restless

A few years after their legendary 60s garage-pop band the Easybeats had run its course, Australians Harry Vanda and George Young led this pioneering, truly extraordinary dark new wave studio project best known for their big 1979 hit Hey St. Peter. This apocalyptic number sets a haunting Middle Eastern melody to a fast, hypnotic dance beat, the lyrics as offhandedly disconcertingly as ever. From the classic Lights in the Night lp, 1980, more easily downloaded than you would think – the link above is a torrent.

285. The Room – Naïve

Best song on probably the best ep ever made, the Liverpool new wave legends’ 1985 release Jackpot Jack. This updates noir 60s pop with a jazzy tinge and haunting Hammond organ, Dave Jackson’s ominously breathy voice and characteristically biting lyrics. It’s also a great drinking song – who knew beer goggles could be so lyrical. Jackson and bassist Becky Stringer would carry on in the equally captivating Benny Profane and currently the Nashville gothic act the Dead Cowboys.

September 27, 2009 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 9/22/09

Every day at least for the next few days, our top 666 songs of alltime countdown gets one step closer to #1. Tuesday’s song is #309:

The Rolling Stones – Citadel

Where Sgt. Pepper was a quintessentially British, somewhat satirical slap at conformity, the Stones’ rejoinder, Their Satanic Majesties Request was unabashedly savage. In this frequently covered riff-rock masterpiece, Jagger has been taken prisoner by the enemy. Candy and Cathy, wherever you are, if you ever existed at all, this one’s for you. The link above is an intriguing alternate take in a slightly more folk-rock vein.

September 22, 2009 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment