Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Top Ten Songs of the Week 8/23/10

OK, we’re a day late with this, but we’re on vacation – who’s counting, anyway? This is sort of our luddite DIY version of a podcast. We try to mix it up, offer a little something for everyone: sad songs, funny songs, upbeat songs, quieter stuff, you name it. We’ve designed this as something you can do on your lunch break if you work at a computer (and you have headphones -your boss won’t approve of a lot of this stuff). If you don’t like one of these songs, you can always go on to the next one: every link here will take you to each individual song. As always, the #1 song here will appear on our Best Songs of 2010 list at the end of the year.

1. Norden Bombsight – Help Desk

We don’t usually carry over a song from one week to another but this one’s a gem, a real #1. Noir art-rock with a cool, really professional David Lynch-style video.

2. Ninth House – Fallible Friend

Keith Otten’s evil, cynical guitar owns this song. Delicious Nashville gothic rock from their upcoming Cemetery & Western Classics album.

3. Julie Christmas – July 31st

Kinda creepy ballad that explodes into noir rock on the chorus.

4. The Jesus Taco – The Meek

Genuinely pretty, vividly lyrical acoustic ballad: “I had bruises on my brain so they put me on ice, the charity wards were swollen with sorrow but the nurses were nice, I wanted to kill so they put me on pills seven days a week.” Another good band from the Weak Records stable.

5. Brooklyn Rider – Debussy String Quartet, 2nd movement

Live on Soundcheck with John Schaefer, a fan favorite from their latest cd.

6. Rupa & the April Fishes – Une Americaine a Paris

Delicious gypsy jazz. They’re at Joe’s Pub on 9/1 and at Barbes on 9/3. Very cool lyrics if you speak French.

7. The Rebel Set – Heartbreak Waiting

Better than average surf/garage rock- like an all male Go Go’s. Thanks to the folks at Blurt for this one.

8. Bee vs. Moth – Pancake Factory

Beyond weird but very cool. Janglerock meets no wave with horns. Completely unique.

9. Hot Rize – Keep Your Lamp Trimmed & Burning

Country gospel, bluegrass style, live at Bonaroo. Coming to B.B. King’s in November.

10. Sebastian Tellier – Look

The song sucks but the video is hilarious – if your sense of humor extends to Simpsons-style fart jokes. C’mon, admit it, you love it.

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August 25, 2010 Posted by | Uncategorized | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

CD Review: Rupa & the April Fishes – Este Mundo

It’s hard to imagine a sexier album – or a smarter one – released this year. Over the course of fifteen first-class tracks – there’s not a single substandard song on this cd – Rupa & the April Fishes come off like a better-traveled Eleni Mandell backed by an acoustic Gogol Bordello. Alternating between wild gypsy dances, ska, noir cabaret, Mexican border ballads, Colombian folk, tango, klezmer and reggae, this is without question the most triumphantly multistylistic tour de force of 2009.

Frontwoman/guitarist/physician Rupa Marya is a Franco-American globetrotter of Indian ancestry. Whether singing in English, French or Spanish, her lyrics are as evocative as they are provocative (the album is a tribute to and defense of immigrants risking their lives around the world). Her breathy vocals are equally nuanced, as capable of conjuring a sultry late-night ambience as much as nonplussed outrage, backed by an acoustic rhythm section along with cello, trumpet, and accordion as well as horns and flute on several tracks. They stay in moody minor keys until the next-to-last track, a surprisingly breezy number combining a Mexican folk feel with reggae, a lament that could be told from an immigrant’s viewpoint…or just a woman missing a lover.

Before that, there’s a brief, haunting violin theme; a swinging noir tango with an incisive trumpet solo at the end; a playful, fun gypsy dance that goes out on a boomy bass solo; a dark, violin-driven reggae number; a gypsy-inflected, slinky ska tune; a defiant gypsy waltz with echoes of New York vintage latin revivalists las Rubias del Norte; a sad, mariachiesque trumpet tune; a dark Mexican shuffle; a scary, Middle-Eastern-inflected gypsy dance that builds from a stately hora-style intro; a jaunty, bluesy ragtime song with a big dixieland raveup at the end; and a bouncy cumbia featuring a characteristically intense rap interlude by the greatest English-language lyricist of our time, Boots Riley of Oakland hip-hop legends the Coup (who has an intriguing new collaboration with Tom Morello of Rage Against the Machine, Street Sweeper Social Club).

Part of this album is a great dance mix; what’s not danceable makes great makeout music. Socially aware, sometimes surreal and invariably inspired, this is one of the best albums of the year, yet another reason why we’re not going to finalize our Best Albums of 2009 list until the end of December. Rupa & the April Fishes play the Bell House along with another excellent, multistylistic, danceable band, Nation Beat on November 13 at 8 PM.

November 9, 2009 Posted by | Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment