Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The Lucid Culture Interview: Toots Hibbert of Toots & the Maytals

It’s hard to believe that it’s been over forty years since the Maytals cut their first 45 in a little studio in Jamaica. Since then, Toots & the Maytals have become one of the world’s best-loved reggae bands, filling clubs around the world with good vibes and their unique blend of classic, funky, gospel-inspired roots reggae, rocksteady and ska all summer long. With a perpetual smile on his face and that inimitable, gruff patwa-infused voice, legendary frontman Toots Hibbert was generous to take some time out from his grueling schedule to do some talking with Lucid Culture:

Lucid Culture’s Correspondent: You’ve been on tour for over two weeks now. How much time do you spend on the road every year?

Toots Hibbert: It varies per year. Sometime I travel doing benefit shows, sometimes other shows. I would say about three months.

LCC: You had a day off yesterday, tonight you play Salt Lake City. How do they like Toots & the Maytals?

TH: We played Minneapolis the night before. It’s good all the time!

LCC: You’re playing B.B. King’s in New York on June 2 at 8 PM, a place you’ve played several times…

TH: They always request me back all the time, they always want me at B.B. King’s. I remember leaving Jamaica to do a show there, a special show, a benefit. They have a lot of artists, five different artists, some of us from Jamaica…a great memory, when I go there I feel it all the time.

LCC: As anyone who has ever seen you knows, you are one of the most energetic performers in any style of music – it’s hard to imagine that you’re in your sixties now. How did you refine your style over the years?

TH: Well, you know it is, they see me come up and start to do my thing, like no artist from Jamaica did with respect to the audience. I can’t sing without dancing first – and let the audience go from there. It’s about one person. He or she will go away feeling the feeling, you know they love it every time.

LCC: Is getting up on stage your daily workout routine, or do you have another secret to staying in shape?

TH: I just exercise, and make my psalm in my vocal chord…I do everything that’s good!

LCC: Who are some of your influences, as far as your performance onstage? I see a little James Brown in you up there…

TH: Ray Charles, Jackie Wilson – people before you were born! I’m a performer; I’m a jazz player, and I still do this way. I don’t copy anyone. I’m just my kind of style.

LCC: Your new album Flip and Twist is on your own D&F music label, it’s out now digitally at all the usual places and it’ll be in stores on May 18. Is this the first time you’ve released an album yourself?

TH: D&F is a Jamaican music label. I have a contract through William Morris, they are the ones who are going to distribute and everything like that.

LCC: How does it feel to see so many of the younger generation being influenced by classic ska and roots reggae, to see so many inspiring new bands with real horns, real keyboards, real vocals, no computerized stuff, who sound a lot like Toots & the Maytals?

TH: Yeah, they fill the place! I saw them in Europe, in the UK, all over, in America, all over! I feel good about it – people try to be real again, positive, work in themselves, mostly white groups and white youths and a few black ones in Jamaica too: you have Chinese and Japanese! Their songs are good, so I leave with a good feeling, they can follow in my footsteps. Other people, Marley, other good people from Jamaica too. Some of them are negative – but I listen to the positive ones!

LCC: Can you tell us about the DVD you’re making for the BBC on your life story?

TH: The BBC documentary’s not done yet. We’ve started on it already, we’ve just finished this album now, and across the country is the next step!

Toots & the Maytals play B.B. King’s in New York on June 2 at 8 PM. The rest of the US tour schedule is below:

05/12: Flagstaff, AZ @ Orpheum Theater

05/13: San Diego, CA @ SoundWave

05/14: Las Vegas, NV @ Hard Rock Hotel & Casino – Outdoor Pool

05/15: Hermosa Beach, CA @ Saint Rocke

05/16: West Hollywood, CA @ Key Club

05/18: San Francisco, CA @ Regency Ballroom

05/19: Eugene, OR @ McDonald Theatre

05/20: Portland, OR @ Roseland Theater

05/21: Seattle, WA @ Showbox At The Market

05/22: Missoula, MT @ Wilma Theater

05/23: Billings, MT @

05/25: Minneapolis, MN @ First Avenue

05/26: Milwaukee, WI @ Turner Hall Ballroom

05/27: Chicago, IL @ House of Blues

05/28: Chicago, IL @ House of Blues

05/29: Niagara Falls, NY @ Seneca Niagara Casino & Hotel – The Bear’s Den

05/30: Boston, MA @ House of Blues

05/31: South Burlington, VT @ Higher Ground – Ballroom

06/02: New York, NY @ B.B. King Blues Club & Grill

06/03: Amagansett, NY @ The Stephen Talkhouse

06/04: Hunter Mountain, NY @ Hunter Mountain

06/05: Hyannis, MA @ Cape Cod Melody Tent

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May 11, 2010 Posted by | interview, Live Events, Music, music, concert, reggae music | , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Concert Review: iLa Mawana at Sullivan Hall, NYC 5/6/10

Here’s a fun band to check out this summer if you can figure out how to spell their name (you have to wonder how stoned whoever came up with that one was). iLa Mawana play all different kinds of roots reggae – upbeat anthems, slow grooves, sweet ballads and some psychedelic dub – and do all of it well. Late on a weeknight, they kept the Sullivan Hall crowd in the house and had everybody swaying through a 40-minute set that could have gone on for twice as long if the club had let them. Bassist Ryan Hinchey was perfect, supplying fat, chronic low end just a hair behind the beat like Family Man Barrett did in the Wailers. Drummer Sammy Wags had the one-drop down cold but also had a lot of different beats up his sleeve, especially on the faster numbers, abetted by a nimble conga player stashed toward the back of the stage. Organist Jason Moore added funky blips and bleeps when he wasn’t washing away the River of Babylon with a river of his own; guitarist Dave Rosen didn’t get the chance to step out much, but when he did he showed off a warm, understated Steve Cropper soul style. Singer Gianpaolo Blower goes for casual and laid-back – this band is all about good vibes – with some brassy, spot-on high harmonies from the band’s friend Sarah, who came up from the audience to join them for the second part of the set. They segued from their slinky opener, Dub Electa into a quick romp through a hypnotic one-chord jam, then into another original featuring a casually bluesy solo from their excellent alto sax player (their three-piece horn section added a welcome brightness over the trance-inducing pulse of the bass). Shifting chords hypnotically until it was practically impossible to find the beat – just moving anywhere at this point felt good – Tree Dub gave their trumpeter a chance to choose his spots.

The title track to their forthcoming new album Soldiers of Sound was as dubwise as they got, bringing it down with simple yet dizzyingly effective reverb guitar. The set wound up with a couple of fast, bouncy numbers, Frankly and Mortal Motion and closed with the big, spiritually charged Karmaland that wound down to just a tasty keyboard solo over the bass and drums at the end. If roots reggae is your thing – from the classics to current-day stars like Groundation and Meta & the Cornerstones – iLa Mawana (there – got it right) will hook you up. The cd release show is at Harpers Ferry in Allston, MA on 5/15; summer tourdates below.

May 07 – Greene, NY – Headyfest

May 08 – Narragansett, RI – The Wheelhouse

May 15 – Boston, MA – Harpers Ferry

May 20 – Miami Beach, FL – Purdy Lounge

May 21 – Sarasota, FL – Pastimes Pub

May 26 – Gainesville, FL – Backstage Lounge

May 27 – Orlando, FL – Plaza Theatre

May 28 – Panama City Beach, FL – Reggae J’s

May 29 – Satellite Beach, FL – Sports Page

May 30 – Sebastian, FL – Captain Hiram’s Resort

June 01 – Austin, TX – Flamingo Cantina

June 06 – Huntington Beach, CA – Gallagher’s Pub

June 16 – Portland, OR – Mt. Tabor Theater

June 17 – Arcata, CA – Jambalaya

June 18 – San Francisco, CA – Mojito

June 19 – San Francisco, CA – The Mezzanine

June 26 – Block Island, RI – Captain Nick’s

June 27 – Block Island, RI – Captain Nick’s

July 08 – Westerly, RI – Paddy’s Beach

July 16 – Rochester, NY – Dubland Underground

Aug 27 – Ithaca, NY – Castaways

Also worth knowing if Afrobeat is your thing – the massively funky, horn-driven 12-piece band Emefe, who played before iLa Mawana were also a lot of fun and had a lot of people dancing.

May 7, 2010 Posted by | concert, Live Events, Music, music, concert, New York City, reggae music, review, Reviews, world music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment