Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Hypnotic Textures from Teletextile

Brooklyn band Teletextile’s latest ep, Reflector, makes a good segue with Damian Quinones (just reviewed here), although it draws on completely different influences, in this case late 80s dreampop and 90s trip-hop. Frontwoman/keyboardist/harpist Pamela Martinez writes simple, memorable hooks that slowly build into big anthems, backed by Caitlin Gray on bass and guitars, Luke Schnieders on drums and a posse of special guests. As a singer, Martinez is just as interesting when she’s quiet and pensive as when she belts – and she saves the volume for when she really needs it. The album’s first song, I Don’t Know How to Act Here sets the stage for everything that follows it, a dreamy intro morphing into quirky trip-hop with disquieting, bell-like keyboards and a big anthemic guitar crescendo. “Endless, endless, endless,” is the uneasy closing mantra.

What If I sets atmospheric vocals over tricky insectile percussion with layers of keys and guitars that come in waves, slowly up, and then suddenly back down: the song winds out with a wary vocal line over hypnotic ooh-ahs. John, a big rock ballad in disguise, slowly brings in big ringing reverb guitar chords and a long dreampop/shoegaze interlude before going out as quietly as it came in. The last song, What if You, a companion piece to What If I, is the loudest track here, lush and majestic like the Church or the Cure, right down to the bass playing the lead line, whether with a fuzztone or with a watery chorus-box effect. It’s good headphone music; like Quinones, it’s proof that accessible rock doesn’t necessarily have to be stupid.

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March 14, 2011 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , | Leave a comment