Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: Saeunn Thorsteinsdottir and Alexandra Joan at Trinity Church, NYC 12/10/09

Cellist Saeunn Thorsteinsdottir and pianist Alexandra Joan wrapped up this year’s chamber music series here on a note that began fluidly and warmly and ended with riveting intensity, a performance that managed to be both cutting-edge and true to the spirit of the compositions, no small achievement. Throughout the hourlong concert, they displayed a remarkable chemistry, each musician clearly tuned in to the other. After a heartfelt, coloristic take of Schumann’s Fantasy Pieces, their keen sense of interplay became most evident on the show’s middle number, Beethoven’s Sonata in A, Op. 69. It’s something of throwback to the baroque, a trio suite loaded with call-and-response that seems straight out of Haydn. When a boisterous pizzicato passage arrived for Thorsteinsdottir, she attacked it with a raw, percussive abandon that threatened to snap the strings on her 1790 cello. It was a lot more punk rock than early Romantic, and the fiery treble tonalities she achieved were marvelously effective. Alexandra Joan provided vivid, sustained rivulets alongside her, but there’s an undercurrent of darkness, even gravitas in her style and at the end of the allegro vivace that concludes the sonata, she let loose an insistent, impatient staccato, as if to say, bring on the night. And when the night came she made it her own.

And so did Thorsteinsdottir. Messiaenesque, defiantly neither major nor minor, unwilling to offer resolution and utterly inconsolable, Benjamin Britten’s Sonata in C, Op. 65 was bone-chilling and utterly impossible to turn away from, cello again slamming out against the darkness, particularly during the pizzicato scherzo that comprises the second movement. The duo encored with the second movement of the Janacek cello sonata, meant to evoke the occult, and it was a powerfully apt choice, maintaining the darkness but raising the energy level to the point where the crowd could exit under their own power. That’s how effective their rendition of the Britten was.  

Saeunn Thorsteinsdottir’s next New York concert is with the ACJW Ensemble on January 19 at Paul Hall at Juilliard, a Romantic bill featuring both Schumanns, Robert and Clara; one can also wish for a reunion with Alexandra Joan, playing something similar.

December 21, 2009 Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , | Leave a comment