Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The Universal Thump Get One Step Closer to a Classic

One segment at a time, art-rock keyboardist/songwriter Greta Gertler’s latest project, the Universal Thump has been releasing their lush, gorgeous debut album. The first installment featured epic, sweepingly orchestrated ballads along with a droll cover of the Australian Crawl hit Reckless and the bouncy Martin’s Big Night Out, one of Gertler’s older songs. This latest installment, Chapter Two continues the blend of fun and finesse.

The first track, Honey Beat, is a richly orchestrated janglerock hit, sort of like an anatomically correct version of something from REM’s Reveal album. Gertler has never sung better – her nonchalantly sultry high soprano is impossible to turn away from. And the guitar solo into violin solo back into the guitar solo is irresistible, like the Church doing ELO.

To the Border (Wild Raspberries) alternates a stately, somewhat solemn anthem with a playful, coyly vivid motif first carried by the string section and later the woodwinds; it’s a sexy allusion. ELO is even more vividly referenced on the absolutely delightful Opening Night, which could be the long lost sequel to The Way Life’s Meant To Be, complete with baritone guitar solo and tongue-in-cheek, carnivalesque keyboard patches and sound effects. And is that a sample of whale song at the end of the long, psychedelic outro? This section of the album winds up with The Last Time, a slow stately piano/organ march, Kate Bush as done by Procol Harum. If the rest of the album is anything like this, you’ll see the whole thing on our 1000 Best Albums of All Time list. It’s available at the Universal Thump’s bandcamp site.

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March 7, 2011 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , | Leave a comment