Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 1/6/11

Every day our 1000 best albums of all time countdown continues, all the way to #1. Thursday’s is #754:

Ellen Foley – Spirit of St. Louis

Often referred to as the “lost Clash album,” this 1981 obscurity features the band plus several of the sidemen who made Sandinista such a masterpiece backing Foley – already a bonafide pop star at the time in Europe (she had a #1 hit in Holland), who was dating Mick Jones at the time. You could call this the Clash’s art-rock album. It’s a mix of Strummer/Jones originals plus a handful of covers, and Foley’s own sweeping, evocatively riff-driven Phases of Travel. Her lovers-on-the-run pop duet with Jones on Torchlight is still fetching after all these years; her cover of Edith Piaf’s My Legionnaire is decent but nothing special. The two gems here are violinist Tymon Dogg’s wrenching, haunting ballad Indestructible, and the dramatic flamenco-rock anthem In the Killing Hour, a pregnant woman pleading for the life of her wrongfully convicted man as he’s led away to his execution. Otherwise, there’s the lush art-pop of The Shuttered Palace; Dogg’s eerie, surreal The Death of the Psychoanalyst of Salvador Dali and the minimalistic, reggae-tinged Theatre of Cruelty; the resolute feminist anthem Game of a Man; a big powerpop number and a couple of love songs. Foley followed this up with a forgettable new wave pop record; these days, she sings wry, clever Americana songs and can be found frequently on weekends playing New York’s Lakeside Lounge with her band. Oh yeah, she was also the girl on the Meatloaf monstrosity Paradise by the Dashboard Light. Here’s a random torrent.

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January 6, 2011 - Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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