As we do pretty much every day, our 1000 best albums of all time countdown continues all the way to #1. Sunday’s album was #486:
Sibelius – Symphony #4 – The BBC Symphony Orchestra/Sir Thomas Beecham
This early 50s recording by one of the great late Romantic composer’s most forceful advocates captures all the brooding magnificence of this dark, stormy piece: the pensive first movement, with its vivid cello/bass figure; the more upbeat second movement, the big crescendoing third movement and its breakneck, anthemic conclusion. If you like this kind of stuff, the rest of his repertoire (especially if you can find Beecham recordings) is worth seeking out, including smaller-scale works like the Karelia suite. Here’s a random torrent via Vinyl Fatigue.
And Monday’s album was #485:
Eric Burdon & the Animals – Best of, 1966-68
This one is as good a mix of songs by the iconic white bluesman as there is. Some of this showcases him as a blues shouter, the rest as a surprisingly good hippie songwriter, without any of the Brill Building schlock other than Don’t Bring Me Down (a cursed title if there ever was one). There’s straight up blues with See See Rider, soul including Help Me Girl and a surprisingly strong River Deep, Mountain High; pensive, philosophical songwriting like Inside-Looking Out and Winds of Change; upbeat psychedelic pop period pieces including San Franciscan Nights and Monterey; and the real classic here, the swirling, phaser-driven Sky Pilot, one of the most potent antiwar anthems ever written. “You’ll never, never, never reach the sky!” If you like this stuff, the original albums, especially the 1968 Love Is album, are also worth a spin. Here’s a random torrent.
October 5, 2011
Posted by delarue |
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Every day our 1000 best albums of all time countdown continues, all the way to #1. Sunday’s is #737:
Grieg – The Peer Gynt Suites: Malmo Symphony Orchestra/Bjarte Engeset
A heavy metal classic from 1875 – that’s when Edvard Grieg wrote a bunch of theme music (a few segments written for a massive choir) for the Henrik Ibsen play. Later he divided up the hits into a couple of suites, the first being the one pretty much everybody knows: the sleepily optimistic morning theme, haunting ambient dirge Aase’s Death, the creepy waltz Anitra’s Dance and In the Hall of the Mountain King, most recently done by Trent Reznor and in years past by Epica (ok), Apocalyptica (awesome, dude) and ELO (the heaviest of them all). The second suite includes the cinematic Abduction of the Bride, Ingrid’s Lament, more creepiness with the Arabian Dance, plus another funeral theme, some traveling music, a nasty shipwreck scene and a sad lament. In 2007, The Malmo Symphony under Bjarte Engeset did a spiritedly competent version of all this plus six orchestral songs including the “Mountain Thrall,” a narrative about trolls in the underbrush. It doesn’t quite match the truly epic sweep of Sir Thomas Beecham’s recording with the London Symphony Orchestra from the 1930s, but reissues of that one pop up in used vinyl stores from time to time (his 1957 stereo re-recording isn’t all that special). Here’s a random torrent.
January 22, 2011
Posted by delarue |
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